The Golden Rock - October 28th, 2007 Edition

With The Hong Kong Film blog wondering whether Hong Kong box office source mov3.com has closed down for good, this blogger has found a new box office source in now.com.hk. Starting tomorrow, the Hong Kong box office report should get back to normal.

- The American Film Market starts this coming week, and both Korean and Japanese film companies have quite a few films in store for buyers there (probably ignoring the Tokyo Film Market in the process).

Korea's Cineclick has Volcano High director Kim Tae-Kyun's latest, about a North Korean ex-soccer player who crosses over to China and tries to get his family to join him. It will also be bringing a promo reel for Kim Jee-woon's highly anticipated The Good, The Bad, and the Weird.

Meanwhile, Japan's Fuji TV is taking Shaolin Girl (the Stephen Chow-approved "sequel" to Shaolin Soccer) and Koki Mitani's The Magic Hour, the follow-up to the ensemble hit The Uchoten Hotel.

- It's not going to the American Film Market, but CJ Entertainment is trying to penetrate Hollywood by co-investing in the Warner Bros. film August Rush. Considering that it's to be released next month, there's surprisingly little out there about it in terms of buzz. There's a website up, though.

- It's reviews time! Lovehkfilm's Kozo closes out October with a review of the much-hyped "TVB Tigers" reunion film Brothers and a review of Kon Ichikawa's shot-by-shot remake of his own film The Inugamis. Meanwhile, yours truly have a review of the Japanese documentary The Naked Emperor's Army Marches On and a review of the Japanese hosts comedy Waters.

- There's a pretty big possibility that I'll be watching the Kohaku in Japan again this year, which is why I care about this news: After two years of actress Yukie Nakama hosting as head of the red team, this year may see young actress Masami Nagasawa taking on hosting duties. The problem is that Nakama was chosen because she starred in NHK dramas, while Nagasawa hasn't been doing anything for NHK. This signals a possible desperate move by NHK to bring in more viewers for the struggling new years show.

- Speaking of Japanese TV, the Daily Yomiuri's Teleview reports on Beat Takeshi as an educator on this week's Japanese TV, and a pretty positive on this season's hit drama Galileo.

- If you are Japanese, and you're asking what the hell is a Galileo, who the hell is Masami Nagasawa, and the only thing you get from this entry is Kohaku, then this new TV station is for you.

- Posters for Johnnie To/Wai Ka-Fai's latest Mad Detective, starring Lau Ching-Wan and premiered in Venice, has started appearing in Hong Kong theaters. There's no official release date yet, but the poster shows that it's already been rated category-III (no one under 18 may be admitted). It seems like after the success of Election, SPL, and Lust, Caution, Hong Kong filmmakers are finding the guts to make some hardcore films again.

- Japanese pop singer Bonnie Pink, who has traveled to Sweden to record so much that she calls it her second home, announced that her latest album will be released in Sweden in February next year.

- The Hong Kong government will start a public consultation soon about the fate of public broadcaster RTHK after an independent committee suggested earlier that a new independent broadcaster be established. In addition, the broadcaster has also undergone a year of both private and public scandals.

The Golden Rock - October 16th, 2007 Edition.

There are days like these where there are so little news, I just decide to combine all the entries together.

- The numbers for the Japanese box office came out, and the rankings are pretty much the same as the admission rankings. However, what the rankings don't tell you is what a quiet week it was. In fact, only one film made more than 100 million yen (number 1 film Hero), and the rest of the holdovers all saw fairly significant drops. Yes, that includes Closed Note, which is supposed to be doing pretty well, but actually doesn't look to make that 1.5 billion yen mark Toho is setting.

Signs of Love (based on those Dreams Come True songs) actually lost only 25% of its audience in its second week, which is pretty typical in the pure love genre. It should wrap up with about 800 million yen. Not all that impressive, but it is what it is.

- Thanks to the success of Hero, Japanese distributor Toho is having their best September ever, which means expect more TV dramas going to a big screen near you in Japan.

- Two sites reported on the Sushi Ouji movie, so I'll just use both links. Essentially, the drama that was the second worst-performer in the primetime ratings in the summer 2007 drama season (average 7.5 rating) was announced to have its own movie before the drama even began its broadcast. But now, TV Asahi has Warner Bros. Japan behind them and is planning to release it during next year's Golden Week. They're probably hoping for fans of the two stars' respective boy groups to show up.

Tokyograph report.

Variety Asia report.

- The only reason I saved up this report was because I thought it was Tsai as in Tsai Chin.

Turns out it's Jolin Tsai that's doing a duet with Kylie Minogue in the Asian edition of her latest album. Actually, it would be so much more interesting if Tsai Chin, the songstress who brought us this, do a duet with Kylie Minogue, but that's just what I think.

- Variety's Richard Kuiper has a review for the highly successful Japanese animated film Evangelion 1.0: You Are (Not) Alone.

- The Associated Press has an interview with Joan Chen, who's been in the spotlight of recent Chinese cinema with her roles in Lust, Caution and The Sun Also Rises.

- Asian films are the big winners at this year's Sitges Film Festival in Catalonia, including wins for Park Chan-Wook's "I'm a Cyborg, But That's OK" and even Takashi Miike's Sukiyaki Western Django.

- The first still for the Pan-Asian film Blood: The Last Vampire, starring Gianna "Sassy Girl" Jun is up. Todd Brown says yes, I say no, thank you.

The Golden Rock - October 3rd, 2007 Edition

- It seems like I made a mistake last week in predicting this week's Oricon charts because the daily charts at the time had not included the new singles yet. So the predictions from last week are completely wrong. On the singles chart, YUI's latest, the theme song for the film Closed Note, debut at number one with about 87,500 copies sold. BoA's latest is far far behind at 3rd place with about 28.400 copies sold. Ayumi Hamasaki's latest actually did not top the charts again, falling to 4th place with just 18,700 copies sold. Next week (and this should be correct), expect rock superstar band B'z's latest single to top the chart.

As Tokyograph predicted, Ai Otsuka's latest album topped the albums chart with about 208,000 copies sold. Not too close behind at second place is personal favorite Tokyo Jihen's 3rd album, which sold about 101,000 copies in its first week. Angela Aki's album falls to 3rd place in its second week, and I can't believe Hideaki Tokunaga's cover album is still going this strong at 4th place. Next week, expect the album chart battle to be between Yuki's or Yuzu's compilation albums.

- I'm combining the box office and the regular entry into one today. The Japanese box office numbers came out, and there are a bunch of discrepancies between the numbers and the admissions ranking. Apparently the Isao Yukisada film Closed Note may have attracted less people than Perfect Stranger, but it make more cold, hard cash, putting it at 2nd place. The same thing happened between Fantastic 4 and No Reservations. Also, La Vie En Rose actually opened on 196 screens, which makes it 8th place opening kind of disappointing.

Actually, Closed Note's second place opening isn't all that swell, either. While it is 176% of the opening for Sugar And Spice ~ Fumi Zekka, it's only 94% of the opening for Yukisada's Haru no Yuki, which means the film will barely pass the 1 billion yen mark in box office.

- Speaking of Closed Note, its star Erika Sawajiri has apologized for her rudeness in a recent press conference for the film. Still, her appearance at the film's screening at the Pusan Film Festival has been canceled due to the incident. I'm not exactly sure how not having her take an extra trip to Korea to promote a movie is punishment unless she was going to get paid.

- Speaking of Pusan, Hollywood Reporter has a bunch of reports from the festival. First, a general overview of this year's festival, then a report on the new anti-piracy campaign being launched at the festival, and a preview of opening film The Assembly, which will see its world premiere on Thursday.

- Speaking of Feng Xiaogang, he has already casted Jiang Wen and Ge You for his next film, a comedy that pokes fun at the new overnight millionaires of China. Sounds like Feng is going back to his roots as a commercial comedy director.

- As a young aspiring filmmaker, this news is quite disappointing: The new Film Development Council of Hong Kong has announced their terms for disburse the HK$300 million film fund - by giving it to commercially-appealing films made by experienced filmmakers/producers. That means your director or producer has to have made at least 2 films, but yet your budget has to be kept under US$1.55 million (HK$12.1 million). Not that they'll actually give you more than 30% of your budget anyway.

Do these people actually know how much it cost to make an audience-friendly, commercially-appealing movie these days? Your average movie star take at least HK$4 million already, and what commercially successful HK movie this year actually cost just HK$12 million? Obviously, the money should've gone more to developing young talents, but what can I say? I go to film school in Hong Kong, so that makes me biased by default.

- On the other hand, legendary Japanese filmmaker Yoji Yamada is working with the students of a film class he is currently teaching on a new film as part of a collaboration between Shochiku and a university in Kyoto. Eventually, the studio will establish a training facility with the students of the university as research interns. THIS is how you develop young talent, Hong Kong Film Development Council.

- Meanwhile, Yamada's latest film Love & Honor, starring Kimura Takuya, has been picked up by tiny American distributor Funimation, and will be released in one New York cinema in November.

- It's reviews time! From Variety, we have a short review by Robert Koehler for Christmas in August director Hur Jin-Ho's latest film Happiness, and a review by Russell Edwards for the Japanese film Sea Without Exit.

- From Lovehkfilm, Kozo has reviews for Oxide Pang's entertaining mystery-thriller The Detective, the shitter Wong Jing comedy Beauty and the 7 Beasts, the independent film Breeze of July, the Taiwanese film The Most Distant Course, and the 80s action film Angel. From Sanjuro are reviews of Japanese sports drama Rough and the Japanese drama A Long Walk. From yours truly are reviews of the Japanese art film The Many Faces of Chika and the independent award-winning film This World of Ours. Expect an interview with the director on this blog soon.

- Variety Asia has a feature on the future of film investment in Asia, as many major film markets in the region have been seeing a downturn in the number of productions. Of course, it was eventually going to happen anyway after so many years of growth.

- With over 200 million yuan, Michael Bay's Transformers have become the second highest-grossing foreign film in China, just behind Titanic. I could say something about this, but I've run out of energy.

- World, meet Jeong Seung-Hye, one of Korea's most promising up-and-coming producers.

- Creepy news coming out of Belgium, it seems like a note was found near where severed body parks were found in a park that may be connected to the Death Note comics. I think the killer forgot the part where he's not supposed to do the murdering himself.

The Golden Rock - September 17th, 2007 Edition

It's still Sunday in the states, and Asian films didn't win anything in Toronto, so there's just not that much news out there today:

- Apparently there is such a thing called "sex radio" in China. At least, radio shows that talk about sex. However, I will never be able to find out what they're like, because they just got banned. I really wanted to know about the "efficacy of certain drugs for sex" too.

- Yutaka Takenouchi, whom I always believed to be a cooler version of Takashi Sorimachi, is returning to film after he was in Calmi Cuori Appassionati 6 years ago. This time it's an adaptation of the story "Wenny Has Wings," about how a tragic accident strains the bond of a family. I was really hoping he would just lighten up and do a comedy.

- After Hong Kong-based Max Makowski works on the ill-advised remake of Shinobi (the one that will be about Hong Kong triads instead of ninja clans), he will help revive the 70s television series Kung Fu for film after Allen and Albert Hughes (these guys haven't really worked for a while) decided to take on another project. Please don't tell me this one will involve triads too - just because you're based in Hong Kong doesn't mean it always have to be about triads.

- It's more French than Asian, but Variety's Ronnie Scheib has a review of the French film Plum rain, about a stage director who goes to Japan to oversee his play being performed there. That in itself makes it worthwhile of the blog.

- If you're in Spain in October, be sure to check out the Sitges film festival. This year, you would apparently get to see Dai Nipponjin, Vexville, and Sukuiyaki Western Django, among other films.
- How can Toho simply let people take their most acclaimed films get into the hands of pirates? A Tokyo court has now ordered a company to halt production on their Kurosawa collection. Er....doesn't that mean it's time for Toho to release relaible and cheap DVDs of Kurosawa films?

The Golden Rock - August 28th, 2007 Edition

- It's reviews time! Hollywood Reporter has a surprisingly informed (i.e. references to director's earlier films) review of Wilson Yip/Donnie Yen's Flash Point. Todd Brown also reviews Flash Point with mixed enthusiasm. Lovehkfilm's Kozo chimes in with a review of Blood Brothers. Actually, AP's Min Lee also chimes in with a review of Blood Brothers. Lovehkfilm's Sanjuro writes a review for Nana 2, or how to ruin a franchise that couldn't retain its actors. Lastly, there's a review of Takashi Miike's Ryu Go Gotoku by new guest reviewer at Lovehkfilm Jmaruyama.

- The return of Grady Hendrix's Kaiju Shakedown is slowly rendering this blog useless. For one, he's packed a whole weekend's worth of Hong Kong film news into one entry, though some have already appeared here already.

- I was pretty young when I watched that animated series City Hunter on TV. Of course, with the time slot of after-midnight on Hong Kong's TVB, it was like eating the fruit that is close to the location of the forbidden fruit (which would probably be say...porn), and it should tell you how far it has slip into the back of my mind, considering how young I was when I lived in Hong Kong. Now someone (the news didn't specify) is bringing it back as a live-action drama with a Korean actor in the leading role.

- Taiwan is pissed because someone who writes for the Venice Film festival identified Ang Lee's Lust, Caution and Alexi Tan's Blood Brothers as being from "Taiwan, China" while the Taiwanese art film Help Me Eros used just "Taiwan." However, the two films are actually Taiwan/China co-productions, so could someone have just gotten lazy with their slashes?

- Apparently this is how the Japanese distributor of Craig Brewer's Black Snake Moan decided to promote the film. Fitting or tasteless?

- Know how to tell that Jackie Chan is getting old? He's hurt himself again on the set of his latest movie, but this time is because he triggered an earlier injury from another movie. Those back pains are no joke at his age.

- Another addition to the Tokyo International Film festival is Jigyaku No Uta (or "Happily Ever After) starring Miki Nakatani and Hiroshi Abe. Naturally, Kaiju Shakedown already has more.

- Aubrey Lam, whose Twelve Nights is a personal favorite, has a new film coming out called "Anna and Anna" starring Karena Lam. However, its plot description of two women in difference places that look the same sound somewhat similar to The Double Life of Veronique.

The Golden Rock - August 24th, 2007 Edition

- It was another active day at the Hong Kong box office on Thursday opening day. However, the bad news is that only one film actually did well. Granted, all 5 opening films got into the top 10 slots, but none of them opened on more than 30 screens. That's why the top film was the box office flop Evan Almighty. On 29 screens, the Steve Carell-starring comedy made HK$780,000 on its opening day. Very far behind is yet another box office flop, The Invasion starring Nicole Kidman. On 28 screens, the remake of The Invasion of the Body Snatchers made just HK$360,000, doomed to repeat the same fate it did in the United States. Even the Thai horror film Alone, which I'm sure got some publicity from having its ads and trailers censored, got a better per-screen average, making HK$250,000 from 16 screens.

Now we're down to the floppers. Not even the Wu and Woo names could get audiences to go catch Blood Brothers (I did though). On a meager 20 screens, the period action-drama made just HK$130,000. Doing a little better on the per-screen is the Japanese animated film The Girl Who Leapt Through Time, featuring the voice of pop star Janice Vidal (er...last I checked, she couldn't even speak Cantonese properly) on 15 out of its 16 screens, made just HK$110,000. Expect one of these to do better during the weekend, and it ain't the one I've seen.

As for the holdovers, Rush Hour 3 is good as dead with just HK$310,000 on 34 screens for an 8-day total of HK$5.43 million (remember Jackie Chan himself has a stake in this, as he owns the distribution rights for the Chinese-speaking regions), and Wilson Yip's Flash Point with Donnie Yen is not looking to get to the HK$10 million mark with HK$8.28 million after 15 days. I thought it was good enough to make more, but hey, that's just me.

- With the news yesterday about the new Japanese film database by Eiren, Jason Gray shares a few more already existing Japanese movie databases. Yay, more references to cross-check.

- China box office is on the rise, expecting to make 3 billion yuan. However, quite a big chunk of that has been from those really huge Hollywood movies, though a lot of that is expected to be from the high-profile Chinese films at the end of the year.

- It's from those guys at Oriental Daily again, which is strange because they keep picking up the only stories that at least two other major Hong Kong newspapers don't pick up. This time, Soi Cheang's Dog Bite Dog has been sold to be remade in India. I'm hoping that no song and dance is involved, and that the assassin won't be from Pakistan (props to those who get the reference).

By the way, producer Sam Leung is apparently looking to do a sequel to Dog Bite Dog with the original cast. Having watched the film, how the hell are they going to pull that off?

- In more reports from Chinese newspapers, The Pye-Dog starring Eason Chan, which has yet to get a release in Hong Kong, will be heading to three different films festivals - Stockholm International Film Festival, the Asia Oceanic Film Festival (?), and the German International Innocence Films Festival (???).

- With Takeshi Kitano's Glory to the Filmmaker (Kantoku Banzai) heading to Venice, the organizers have decided to establish a new award, and Kitano's getting it. The name of the award? "Glory to the Filmmaker!"

The Golden Rock - August 19th, 2007 Edition

- I reported earlier in the week that Ocean's Thirteen opened fairly huge in Japan last weekend, bumping Transformers all the way from first to third place. Turns out its 380 million yen opening is only 70% of Ocean's Twelve and 54% of Ocean's Eleven. However, the film did open just before the weeklong Obon holidays in Japan, which means it might catch during the week and for this weekend as well. With no big Hollywood blockbusters opening this weekend, that is certainly seeming more likely now. We shall know by Tuesday.

- As reported yesterday, four of the five Hong Kong TVB Tigers of the late 80s (sans Tony Leung Chiu-Wai) are reuniting for the latest film by director Derek Chiu Sung-Kei. Now we can report that Brothers will be coming in October, and the Chinese-language Hong Kong film blog has pictures from the press conference showing the all-male cast.

- After scoring 10 nominations at the Golden Bauhinia Awards (without screening it at all anywhere publicly), there's a trailer out for Edmond Pang Ho-Cheung's Exodus. It might just be a teaser, but this is looking to be easily the strangest Pang film yet. Add the poster now in HK cinemas, this is lining up to be one of the most intriguing-looking Hong Kong film in a long time.

- This week's Teleview column on the Daily Yomiuri talks about the dramas Japanese television networks have for the fall to try and push the ratings back up. I don't know, three detective dramas in one season looks to be a bit much.

- Yu Ha, who made the adult drama Marriage is a Crazy Thing in 2002, made two violent gangster dramas in a row- Once Upon a Time in High School and A Dirty Carnival. Now the poet/filmmaker is dipping his hand into the historical and possibly gay romance drama genre. Apparently, the director simply describes it as "a love story between men," which would probably be a good pitch for Donnie Yen's Flash Point.

- Japanese mega-producer Haruki Kadokawa and director Takashi Miike are teaming up (how many movies does Miike have in the pipe now? I count 3 including this one) for a sci-fi film named Kamisama no Puzzle (God's Puzzle). I can't tell whether it's supposed to be a comedy or drama.

- Was anyone wondering how Andrew Lau's Hollywood debut The Flock did in Japan (I believe it's the first territory in the world to have it in theaters, but I could be wrong)? Along with The Pang Brothers' The Messengers, The Flock opened on around 20-50 screens and ended up making less than 100 million yen. Yes, in Japan, they won't even watch Hollywood films by Hong Kong directors.

100 million yen isn't even US$1 million, by the way.

- Johnnie To's Mad Detective (formerly named The Detective) is going to the Venice Film Festival after all. To refresh your memory, Mad Detective marks the first dramatic collaboration between Johnnie To and best actor winner Lau Ching-Wan since.....well, in a long ass time. That automatically should make it a film to look forward to.

- Hey, Australia. Don't pirate movies and end up getting nothing like Canada.

Expect the Podcast to be back next week, and maybe that promised new feature tomorrow.

The Golden Rock - August 13th, 2007 Edition

The Golden Rock is back, around the same size and hopefully the same quality. Now reporting from Hong Kong, posting times will naturally be different, but hopefully still daily.

- As always, let's look at the Hong Kong Sunday box office. Pixar's Ratatouille has a very strong second weekend, making HK$1.63 million on only 34 screens for a 14-day total of HK14.81 million already. This should have no problem getting past the HK$25 million mark set by The Incredibles. Meanwhile, the three opening films opened neck-to-neck, with The Simpsons Movie (whose Hong Kong dub version features Josie Ho, Wyman Wong, Denise "HOCC" Ho, and pop star Ivana Wong) leading the pack, making HK$1.24 million on 37 screens for a 4-day total of HK$3.92 million. While The Bourne Supremacy is in third of the three films in total 4-day box office (HK$3.8 million), it was just under The Simpsons with HK$1.1 million on 31 screens. This means Wilson Yip's Donnie Yen lovefest Flashpoint made HK$1.01 million on 33 screens, but did better overall this weekend with the 4-day total of HK$3.89 million(although this actually include the HK$200,000 from previews last weekend). With fairly positive word-of-mouth amongst Hong Kong moviegoers, this should cross the HK$10 million mark.

Don't count those leftover films out, though. Transformers is already near the HK$35 million mark after 18 days by making HK$940,000 on 34 screens; Jay Chou's Jay Chou lovefest Secret actually continues to hang on (probably thanks to the Jay Chou fans) with HK$640,000 on 31 screens (Variety Asia reports its box office success elsewhere in Asia here); even Harry Potter made HK$230,000 on 17 screens for a 33-day total of HK$49.98 million. Invisible Target, which pretty much got pushed out of theaters, looks to end its run with HK$13.19 million. All in all, this was a pretty huge weekend at the box office, which was probably helped by the passing typhoon and just generally crappy weather.

- In Japanese audience rankings, Transformers got pushed all the way down to third place for its second week by Ocean's 13 and Harry Potter, which is somewhat surprising because it's done so well with word-of-mouth elsewhere. Ocean's 13 is the only new film in the top 10.

This week, Hideo Nakata's Kaidan dropped from 8th place to 10th place in its second week, meaning that despite being somewhat well-reviewed, it'll go away quickly amidst the late-Summer box office. It's also the only adult-oriented Japanese blockbuster this summer. Kaidan's opening is only 51% compared to the star's last film The Murder of the Inugami Clan
and only 81% of Nakata's The Ring 2 (although I don't know why Eiga Consultant chose to compare with that). Looks like summer is just not the time for this type of films.

- In the Korean box office, D-War wins its second weekend with a total 5.06 million viewers already after a roughly 50% drop in attendance. Don't count May 18 out, though, as it has already attracted over 4.5 million viewers. These two films have already surpassed Voice of a Murderer as the two best-grossing Korean films of the year.

- While it's cool that the American animated series Afro Samurai will see all 5 of its episodes in Japanese theaters, the cooler part of this report is that Samuel L. Jackson will be in a planned live-action version.

- Under "This cannot be good" news today, Eric Tsang (a producer that can be said to have pretty low taste - look at what he did to the ending of Men Suddenly in Black 2) is teaming up with Wong Jing (an even cheaper producer who's intelligent but makes movies of low taste and lack of originality - look at all of his movies) to remake the 1970 film The Seven Colour Wolf (I can't confirm this English title because of the Yesasia name for it. Can anyone?), with Chung Su-Kei (who has made shit like Feel 100% 2003 and Nine Girls and a Ghost) taking the director's seat. No word yet on who will star, I believe.

- Again, an artsy Japanese film that drove audiences away has taken a major award at an European film festival. Masahiro Kobayashi's The Rebirth won the top award The Golden Leopard at the Locarno Film Festival. However, with two Asian films taking the top prize, the festival is apparently moving into the elitist artsy film festival that is drawing less interest from buyers.

- The Hong Kong entertainment news programs have been reporting for several days about Chung Siu-Tung's latest period martial arts film (another one?!), this time with Kelly Chan in her first period role in a long time, Leon Lai, and Donnie Yen. It's not very likely, however, that Yen will go topless in this one.

- In China, people are so insistent on seeing movies illegally and for free that they're moving off the streets and into internet cafes.

- Under "who died and made him boss?" news today, Jackie Chan says that he hopes to finish the animated film Taiwanese director Edward Yang started working on for years before his death. Then again, the film IS based on Chan's life, so I guess that would make him the new boss.

- Lastly, two major Thai directors are planning on developing the country's first script development project, taking on 30 aspiring screenwriters on workshops and pitch meetings. This could, in the long run, breathe new life into the slowly-expanding Thai film industry.

Song of the Day will return some time this week, and expect something new with The Golden Rock this week as well.

The Golden Rock - August 2nd, 2007 Edition

- Looks like another case of misreporting box office figures in Japan. The latest Pixar film Ratatouille supposedly earned about 489 million over two days this past weekend. However, what Disney didn't report is that the actual earning is actually 360 million yen, and the rest were made during the special sneak previews last weekend. That would make the opening a bit of a disappointment, as it's only 95% of the opening for the last Pixar film Cars. However, the word-of-mouth for the film is actually batter than Cars (at least in the States), so it might come out earning more in the long run.

- It's official, China has decided to not let the latest Jackie Chan Hollywood star vehicle Rush Hour 3 on Chinese movies screens. There are a couple of possible reasons for this - 1) China doesn't like the content, especially the presence of the triads. However, how can that be true when the first two films featured triad villains? 2) China simply can't stand all these Hollywood films dominating the box office and has implemented the usual summer policy of getting rid of Hollywood films to let Chinese films have their day. 3) It just got unlucky and couldn't be secured as one of the 20 American films allowed to be shown in Chinese theatres each year. 4) The movie sucks, and the Chinese people shouldn't be exposed to that type of crap. I got five bucks on numbers 2 and 3.

- Meanwhile, the trade reviews are out. Hollywood Reporter's Michael Rechtshaffen says the routine goes awfully stale, while Variety's Robert Koehler says that the adrenaline rush just isn't there anymore.

- Variety has a few more Asian film reviews, one for the 2007 Korean hit Voice of a Murderer, Fumihiko Sori's Vexville, and the Thai horror film Alone, which is currently a hit at the Korean box office.

- Kabuki's bad boy Shido Nakamura has followed the steps of Last Samurai actress Koyuki and signed with Avex. With that, he has also officially joined the cast of John Woo's The Battle of Red Cliff, which would make this his second Chinese blockbuster after Jet Li's Fearless.

- If you'll indulge me another game of multiple degrees of separation, Tony Leung Chiu-wai also stars in the Battle of Red Cliff, but he originally withdrew from the film because of the fatigue he suffered after making Ang Lee's Lust, Caution. The film, almost or already completed, will compete in the upcoming Venice Film Festival. Though the film was originally submitted as a USA-China entry because there's where the money came from. However, it almost brewed a small controversy when the nationality was changed to Taiwan due to director Ang Lee's nationality.

- A nation at war turns to TV soap operas, culinary shows, and idol competitions. Surprisingly, it's not the United States.

- Japan will be the first to see a MTV-created mobile social network, which will also feature pages created by Japanese pop stars. Do we really need to be THAT connected?

- Speaking of embracing the new media, another Japanese media producer has signed a deal with Youtube to upload promo clips and various content on the video site.

- Avril Lavinge's album has sold a million copies in Japan, making her the first foreign artist to sell more than one million copies of each of her three albums. They'll find a record for anything in Japan, especially when it comes to music.

- Twitch has an interview with director Steven Okazaki, whose latest film is the documentary White Light/Black Rain, about the fallout of nuclear warfare including the bombings of Hiroshim and Nagasaki.

- Japanese R&B/A Capella group Gospellers is teaming up with forgotten Backstreet Boys member Howie D for their latest single. Not to be a party pooper, but I think Howie needs the Gospellers more than they need Howie.

- With the 2008 Olympics approaching in a year, China has still yet to deliver the full media freedom they promised foreign journalists there. 95% of those who responded to the survey by the Foreign Correspondents Club of China says China's reporting conditions are not up to what they call an "international standard."

By the way, remember to vote for our poll. The future of The Song of the Day depends on all of you.

The Golden Rock - July 30th, 2007 Edition

Hong Kong box office and Korean box office charts aren't up yet, so today's entry is slightly shorter than usual.

- We'll start with the Japanese audience rankings. As expected, Harry Potter stays on for another week, but suffers a pretty huge drop (a preview of things to come when the full chart comes out for tomorrow). Ratatouille, the latest film from Pixar Studios, opens at number 2, and everything down to number 7 gets bumped down. Meanwhile, the animated film Summer Days with Coo (Kappa no Coo to Natsuyasumi) opens at 8th place.

Sadly, that 8th place, 26.7 million yen opening in a crowded kids film market (Pokemon, Harry Potter, Monkey Magic, The Piano Forest) means that the film opened only at 13% of the director's previous film.

- The full Korean box office top 10 isn't up yet, but I can tell you that the "historical" drama May 18th, which is getting bad reviews on its accuracy but apparently getting good word-of-mouth everywhere else, is now the hit of the year. On its first weekend, it beat out Voice of a Murderer for the best opening of the year by attracting 1.45 million admissions, even beating out Ratatouille and Die Hard 4.0 for the top spot.

I asked in the Podcast that never got uploaded whether Korean films can survive the rest of the year with its upcoming slate of genre films, but looks like May 18th just saved the industry as we know it. For now.

- The Japanese elections on Sunday meant that there were no dramas on, but there were still a bunch of season lows posted this past week. The Monday 9 pm Fuji TV drama First Kiss rebounded from its disastrous second week by scoring a 15.2 rating for its third episode (roughly 9.87 million people), while Hanazakarino Kimitachihe hangs on with a 16.6 rating (10.8 million or so). Yama Onna Kabe Onna rebounded slightly to a 12.7 rating (8.24 million). The hostess drama Jotei continues to drop with a 10.9 rating for its third episode (roughly 7.1 million). Sushi Ouji, whose movie version has already been greenlit, saw a somewhat disappointing start with only an 8.8 rating (roughly 5.7 million), the lowest premiere rating for that time slot since the fall 2006 season.

- Lovehkfilm sees reviews for the Japanese tearjerker Tears For You, the relatively unknown new Francis Ng film The Closet (note: Not a film with homosexual issues), and for the Japanese romantic comedy Christmas on July 24th Avenue by yours truly.

- Twitch also has a bunch of reviews - one for the Japanese horror film The Slit-Mouthed Woman, one for Studio Ghibli's Tales From Earthsea, and one for Wilson Yip's actioner Flashpoint.

- There's a rumor going around that Rush Hour 3 might be banned from China because of its "anti-Chinese elements." The first two films belittle and make fun of the Chinese plenty, but they weren't banned, so why now? Then again, there are plenty of reasons why China would not want to "ban" a Hollywood film now anyway.

- The lineup for the Asian Film Festival of Dallas is out. It's no New York Asian Film Festival, but the lineup is fairly solid anyway.

- Taiwanese cinematic auteur Hou Hsiao-Hsien is set to receive the Leopard of Honor at the upcoming Locarno Film Festival, where his first French film (psss.....Cafe Lumiere wasn't in Chinese either, Variety) Flight of the Red Balloon is set to screen.

The Golden Rock - July 29th, 2007 Edition

I had a Podcast ready and everything, but Audacity somehow manages to fuck up my introduction (one track suddenly silenced the other one for a certain period of time, even though I didn't ask for the silence), and now no more Podcast because I have no energy to spend hours editing it again. So last week was the final Podcast for a while, and maybe we'll try it all over again in Hong Kong.

- The opening of a major multiplex in Tokyo started a new trend - stage show on movie screens. There's something similar to that here in the States, broadcasting concerts on a nationwide system of cinemas. The series of stage shows, 4 in all, sold 14,000 tickets during its run, so perhaps it's no surprise that they already sold 5000 advance tickets for their latest show in 2 days. I can understand why people outside Tokyo might need something like this, but I already imagine live stage shows being better, you know......live?

- For some reason, wasn't the news on the box office result of the American-produced documentary Nanking much better two weeks ago? With rich people shelling out donations and theaters reducing prices to get people into the theater, I thought it was supposed to be a hit in Nanjing. However, looks like it's suffering under the Hollywood syndrome as well, where there's just not enough screens to go around for it.

- The battle of TV continues in Hong Kong, as Hong Kong's biggest cable provider i-Cable has started its own record label to directly challenge freecaster TVB's monopoly on music artists.

- Variety has a little more on the Asian films that will be featured at this year's Venice Film Festival, including an impressive four in competition.

Asian Popcorn has more specific on one of them - the long-delayed The Sun Also Rises by Jiang Wen.

- The Sun Also Rises co-stars Jaycee Chan, who is also currently in the Hong Kong action film Invisible Targets. His father Jackie has the soon-to-be-crappy sequel Rush Hour 3, which also stars Chinese actress Zhang Jingchu, who talks about her experiences on the set.

Just to finish playing that 6 degrees of separation game, Zhang was in Protege with Daniel Wu, who was in Twins Effects 2 with Jaycee. Boo-ya!

- Jaycee was in Twins effects 2 with Charlene Choi, who was in Love on the Rocks with Louis Koo, who is in the experimental Hong Kong Cannes participant Triangle by Tsui Hark, Ringo Lam, and Johnnie To. The official website for the film is up, and according to Mov3.com, the film won't be coming out until....November?!

- We have two reviews from the Japan Times this week to share - Mark Schilling's review for the animated film Kappa no Coo To Natsuyasumi, and Kaori Shoji's review for Hong Kong director Andrew Lau's Hollywood debut The Flock. How can a film sound good and crappy at the same time? Oh, it's by Andrew Lau, that's why.

- In case anyone that reads this blog ever becomes an ad executive in India, you might want to be careful when you do underwear ads.

Yeah, not much news today. Doing that Podcast took a bit out of me. See you back tomorrow.

The Golden Rock - July 28th, 2007 Edition

I apologize for the lack of post yesterday. At least it would make longer weekend entries.

- Sequels tend to open higher anywhere you look, unless when it looks very underwhelming. The rule applies to Hong Kong as well, which is why Michael Bay's Transformers, despite all the hype and the worldwide invasion, had a spectacular opening with HK$2.8 million from 74 screens in Hong Kong on Thursday and still manage to look disappointing. The major sequels - Spiderman 3, Harry Potter, Pirates of the Caribbean - have all opened huge with HK$3-6 million opening days on some 100 screens. I keep telling myself that this, in all logic, is a huge opening and it can only get bigger. There must be some sickening obsession in me to see this one fail somewhere in the world.

In other movies, Harry Potter is beginning to slow down, making HK$690,000 on 50 screens for a damn good 16-day total of HK$41.17 million. Benny Chan's Invisible Target looks to hold strong this weekend thanks to word-of-mouth, making HK$560,000 on 36 screens for an 8-day total of HK7.78 million. Look for this to pass the HK$10 million mark by Monday. There were two more openings this week - the latest Doraemon movie made just HK$160,000 on 21 screens (though business will pick up for the weekend, and these things do better on home video anyway), and Hula Girl made a sad HK$10,000 on 3 screens. If you're in Hong Kong and haven't watched Hula Girl, go. There's a reason this ALMOST won the audience award at the New York Asian Film Festival, it's a good syrupy crowdpleaser.

- There's some rumors out there explaining why Kenneth Bi's The Drummer was suddenly pulled from the Hong Kong International Film Festival Summer Pops lineup. Apparently, in order to get into certain festivals, films are required to not having screened in its country of origin(Can anyone confirm this?), which means Bi and Co. chose to get its film into a foreign film festival (in this case, the Locarno festival) for sales possibilities rather than pushing local buzz. I don't blame them, but that's a pretty major diss for the local audiences, and proof that perhaps Asian films are no longer made for their local audiences any longer.

Even Vexville, another competitor at the Locarno Film Festival AND part of the Summer Pops lineup, has yet to open in Japan.

- Hollywood has gotten out everything they've got for Comic-Con, where it's not just about comics. It's like the new ShoWest (a yearly convention for exhibitors) for the ticket-buying fanboys (or now, even film buffs).

- zzzzzzz, the MPA continues their crusade in Asia by bringing a 23-minute documentary to Indian students about intellectual property. I want to stop reporting this too, but I'm relaying it just to show how annoying they are about showing off their efforts.

- It's redundant but less boring because of its ridiculousness, the Chinese government continues to dictate how to fuck up youths in their own special way by continuing to crack down on anything related to the Japanese comic Death Note. Now they have gone as far as shutting down websites that have anything to do with it. And the MPA is confused why people still violate intellectual property in China?

- Youtube is set to put in place their copyright recognition software, stopping any files that are copyrighted from being put on the site in September. This is going to mean that the Song of the Day feature would be in jeopardy, and also means your votes will fail to count anyway.

But hey, be sure to keep voting anyway, because democracy is fun and exciting.

- Korea Pop Wars writes about the new DVD set of Shin Sang-Ok movies. For those who don't know, Shin is one of the most important Korean directors in Asian film history and has worked on everything from classic 60s films to the Three Ninja movies in Hollywood.

- The Daily Yomiuri has a review of the Nobuhiro Yamashita youth film Tennen Kokkeko. The Japan Times review from last week is here.

Tomorrow, more news and the final Golden Rock Podcast for a while.

The Golden Rock - July 26th, 2007 Edition

- Apparently there are quite a few fans of David Lynch in Japan. His latest Inland Empire, which I honestly think it looks too weird to be my kind of film, opened on two screens in Japan this past weekend. With three shows a day over two days, the film attracted 2031 admissions and grossed 3.24 million yen. Considering one theater seats only 111 and the other seats 232, that's a pretty good opening. According to Eiga Consultant, people started lining up at the Tokyo cinema 2 hours before the first show and the last show was sold out three hours beforehand. Also, the pamphlet/program had a 40% sales rate. Either that means good-of-mouth or it means people just plain don't get it. Return business, anyone?

- Inland Empire was released by Kadakawa films in Japan, who also released the remake The Murder of the Inugami Clan, a ton of smaller films, and a bunch of TV shows after ruling the Japanese film world way back then. Now they are planning to do their own "fight fire with fire" strategy by posting their copyrighted material onto Youtube. However, they are also developing a program that would find internet video content that are violating copyright, though I'm not exactly sure whatever that means.

- Hollywood Reporter has more on the hit opening weekend for the Thai horror film Alone at the Korean box office, including the distributor's strategy to market Thai horror as the next big wave and that J-horror is over. They're a couple years behind, but hey, whatever works for them.

- Recently, Japan entertainment trend reporting website Oricon polled people on what they thing is the scariest J-horror film. The results aren't really all that surprising.

- Time for Venice festival news - First, Jason Gray has information on the Japanese selections, both in and out of competition (They even gave an in competition spot to Takeshii Miike. Is this a first for Miike in a major European film festival?). Then you can just go and check out the entire list at Variety, which includes quite a few major Asian films.

- On the other hand, things are definitely not going very well at the Bangkok International Film Festival, where there are more sellers than buyers at the market, films are not well-attended, and one Thai executive even said the money spent should've gone straight to the film industry instead. Ouch.

- It's reviews time! Twitch has a review of Kiyoshi Kurosawa's Retribution, a rather long review of the new Korean film May 18th, and a shorter one for Japanese blockbuster Dororo. Then, Variety's Derek Elley turns in a review for the opener for the Puchon International Fantastic Film Festival Eternal Hearts.

- The Weinstein Company has snapped up another Asian film that they could potentially ruin, this time one of Vietnam's biggest films ever.

- Yesterday I reported the misreporting of casting news regarding Derek Yee's The Shinjuku Incident. Today Hollywood Reporter, whom I consider to be a pretty accurate news reporting organization, reports that China Film Group is onboard as a co-producer, which means you know the good guys and/or the Chinese will again win in the end.

- Apparently Taiwanese pop star Jay Chou's latest single, the theme song for his directorial debut Secrets, is suggested to be a breakthrough in style by incorporating British rock influences. Why is this news, especially when he's done it before already?

The Golden Rock - July 25th, 2007 Edition

- Starting with those Oricon charts, both the singles and album charts saw very good sales this past week. On the singles side, Ayumi Hamasaki's latest (which features a short film co-starring Hong Kong actor Shawn Yu in the more expensive version) scored a huge debut, selling 110,000 copies for an easy first place finish. This is Hamasaki's 9th consecutive year of having a number 1 single, which ties the record set by Akina Nakamori throughout the 1980s. Actually, in the rest of the top 10, there's only one single that's not new on the chart, and that is Erika (as in Sawajiri)'s debut single, which sold another 18,800 copies in its third week. A little unlucky on the charts this week are Porno Graffiti and Orange Range, whose latest both hit chart-topping numbers (90,000 and 64,000 copies, respectively), but ended up at 2nd and 3rd place instead. In fact, looking at the daily charts, next week's predicted winner Morning Musume isn't even likely to sell more than 80,000 copies of their latest, although Ai Otsuka is following close behind to fight for that top spot.

- In the equally busy albums chart, another Johnny's Jimusho group KinKi Kids wins the top spot, selling 301,000 copies of their latest album. Far far behind is American band Sum 41 (holy shit, they're still around?), who sold 62,000 copies of their latest album a week ahead of the American release. Amazingly, hip-rock band (that's a made-up genre by yours truly) Greeeen's debut album continues to hang on at 3rd place, while Namie Amuro's latest (which, in a shameless plug, I reviewed recently) also remains consistent at 4th place. According to the daily charts, the two Orange Range compilations is expected to win the upcoming week, with Canadian-Japanese band Monkey Majik's latest album right behind them.

- I don't mean to trash the Japanese blockbuster film Monkey Magic so consistently, but bad news just keeps coming in one after another, so I can't help but report it. According to this blog post linked by Eiga Consultant, Monkey Magic suffered a huge loss not only due to the arrival of Harry Potter, but also because the film has earned horrible word-of-mouth, with comments like "childish" and "unnecessary" being thrown around on the internet. Also, the excessive television appearances by star Shingo Katori has led audiences to be fed up with his attempt to promote the film. With a budget of 3 billion yen (mostly spent on advertising and CGI), no wonder Fuji TV needs a 5.9 billion yen gross.

By the way, I'm going on this by my barely-intermediate Japanese knowledge, so feel free to correct me.

- Speaking of mis-reporting, there are reasons why I don't look at Mainland Chinese websites for movie news. First, I don't read simplified Chinese (at least not good enough to translate), and second, I have a personal vendetta against one particular English site (coughcrienglishcough). Now a case of misreporting rumors has been added to that list of reason. According to Hong Kong's Ming Pao's entertainment columnist, who is possibly screenwriter Chan Hing-Ka, a rumor from a Mainland China website reported that Ken Watanabe and Hideaki Takizawa has joined the cast of Derek Yee's The Shinjuku Incident. The rumor was spread quickly, prompting Yee to come out and denied it. Excerpt from the Chinese article translated here:

娛樂圈這一行很敏感，演員如看到報道指某部電影打算找某位演員主演，後來自己又被邀請，很易聯想到自己是「執二攤」，即有其他演員在自己之前推掉角色，所以才輪到自己。

經理人公司特別在乎這方面的報道，別以為日本經理人公司不會留意中、港、台新聞，他們是很清楚的，只要一有相關報道出來，他們會立即四出查證。

The entertainment industry is a very sensitive one. If an actor reads a report about a film casting another actor, only to see him/herself also invited afterwards, then they might see themselves as "scraps." That means he/she only got invited to join a film because another actor turned it down.

Managers/agents show special care into these kind of reports. Don't think that Japanese agencies don't look at Chinese/Hong Kong/Taiwanese news; they are actually quite clear on it, and once such report comes out, they would immediately verify it.

試過有一位本地導演太早公布了與某日本演員合作的事，報道一出，其經理人公司當日就有電話打來查詢，那時互聯網還沒有現在般流行。

Once, a local director reported collaborating with a Japanese actor too early. Once the report came out, the actor's agency called to verify on the same, and the internet wasn't even as popular at the time as it is today.

某些傳媒在未經查證之下，會把網上的傳聞照搬過來，其實有時只需打一、兩個電話就可以求證，偏偏就不去做，假消息愈傳愈開，給當事人造成的困擾和傷害也愈來愈大。

Some media would post certain rumors without verification. Sometimes, a call or two can verify the news, but they don't do it anyway. As the fake news spread gradually farther, it would concurrently cause more and more harm to those involved.

Of course, this isn't the only fake report spreading around these days. After reports of Stephen Chow signing on to play Kato in the Green Hornet, Chow's management came out the next day to deny it, even though the original post only says the film's writer would LIKE to Chow for the role.

Don't worry, The Golden Rock always strive to report the most accurate and verified news on Asian entertainment with the most bias a hypocrite like me can give out. Why do you think it takes me 2 hours a day to write an entry? Nevertheless, corrections to any possibly misreported stories are welcomed.

- Shinji Aoyama's latest Sad Vacation is going to Venice. However, it will not be in competition, but in the Orizzonti sidebar section instead.

- Those in Hong Kong take note: Taiwanese superstar Jay Chou's directorial debut Secrets is having sneak previews this coming weekend. Just get your tickets early, they're getting snapped up fast. Oh, and Jay Chou will be at two of those shows on Sunday, which seem to be sold out by now anyway (that would be the seating charts filled with red you see in the post).

- Joel Schumacher, who has been blamed for single-handedly screwing up the Batman franchise once upon a time, is in talks to direct the remake of Johnnie To's action flick Breaking News. I enjoyed Tigerland and Phone Booth (another thriller set in limited space and time compression), so this might turn out OK.

- Malaysian major bookstore chains, in protest of grocery superstore slashing book prices, boycotted the latest Harry Potter book. Of course, the bookstores have ended the ban because the "customers are the ones would suffer." 1) Can't they just go to the grocery superstores to buy the book at a lower price anyway? and 2) Am I the only who find an irony in huge bookstore chains protesting cheaper book prices when these chains were once responsible for putting mom-and-pop bookstores out of business with their lower prices?

- The nominees for the Seoul Television Festival is out, and one drama's nomination seems a little absurd to me. The Japanese comic adaptation-Taiwanese drama Hanazakarino Kimitachihe, which is seeing its own Japanese adaption on TV right now, was apparently nominated because the judges thought the drama's style was fresh, which is weird considering it's an adaption of established work. Then again, I'm just picky against idol dramas.

- Speaking of bad TV dramas, Japan's own foreigners' rights crusader Arudou Debito is up in arms about a clip from the popular drama Hana Yori Dango 2, in which the only African American presence in the show happen to come in the form of only criminals. While I'm not as angry as he is (American dramas do the same to minorities - remember the first episode of Heroes?), this only goes to show that bad TV is universal. And this was the top-rated/top satisfaction/most illegally-downloaded drama of that season, people.

- This is the perfect follow-up. NHK is planning a three-part drama special about an international romance that blossoms between a Korean man and a Japanese woman. Um...they already did this a few years ago, guys. I know, I saw it. It wasn't that good.

- Before everyone else, namely Hollywood, blames China for selling all this pirated movies, China would like to let you know that the technology came from everyone else! Yes, we knew that China is not exactly the most technologically innovative country in the world.

- From the Japanese trailer blog comes a trailer for the film Grow (Guro), about a high school boy who runs into three ghostly mentors before his death and learns to...well, grow.

- If anyone out there thought those "Hong Kong handover commemoration films" were a good idea, get ready for "2008 Chinese Olympic commemoration films!" According to this blog post, the first one up is "The Romance of the Pheonix," starring Aaron Kwok and directed by Clifton Ko. I'll probably be watching this anyway just because I'm a completist.

- Right on time for the 60th anniversary of its independence, there will be a 6-day long showcase of Indian culture in LA come mid-August. The focus is said to be on Indian cinema, which means I'm sure there will be some awesome dancing involved.

- Variety's Derek Elley has a review of Takeshii Miike's latest theatrical release from a few months ago - the video game adaptation Ryu Ga Gotoku, better known in the states as just Yakuza.

- Lastly, but certainly not last, German actor Ulrich Muehe, who starred as a conflicted agent for the East Germany secret police in the brilliant The Lives of Others, has passed away at the age of 54.

The Golden Rock - July 17th, 2007 Edition

OK, just a relatively short entry today, and perhaps a break for the rest of the week due to familial obligations.

- Box Office Mojo has no box office figures for Japan up yet, but the audience ranking for the 14th and 15th (I emphasize this because it was a three-day weekend. More later) shows the Pokemon movie at number one, and super-duper-ultra-wide release Monkey Magic/Saiyuki (which Jason Gray pointed out it's actually the widest Japanese live-action release ever. The widest animation release has got to be a Ghibli movie, just not the last two) managed only number two.

Here's where it gets messy - Variety reports that the film made about 795 million yen over three days, despite the typhoon (understandable - typhoon means bad weather, bad weather means people don't want to go out.....or go somewhere indoors like a movie theater) and the earthquake in Niigata? Not to undermine Niigata, been there once, real pretty, but real rural too. So people can possibly be so upset about a devastating earthquake in Niigata to stop themselves from watching a movie about a monkey and a female monk fighting some cgi monsters? I don't mean to show any lack of sympathy for the victims - I was in Japan during the last Niigata earthquake, and it wasn't fun even from Tokyo - but I agree with Jason that writing as if Monkey Magic had fought mother nature and won seems....ridiculous.

Meanwhile, the story of the weekend ought to be the Pokemon movie, because it managed to make 780 million yen in TWO days. Of course, there's this whole thing about getting something on the Nintendo DS in the movie theater, but it managed to open at 190% of the last movie's opening, and may very well get pretty close to the highest Pokemon film gross of 7.24 billion yen, set by the first film. However, I think it has more to do with the fact that it's the 10th anniversary movie anyway. Take that, SMAP monkey king.

- In Korea box office, Harry Potter dominated to no one's surprise. Transformers is getting very close to breaking the record for highest number of admissions for a foreign film (yay, fighting robots!), and Black House continues to hang on for Korean films at 4th place with 1.2 million admissions.

- Sorry, Japanese TV ratings take too long to go over, so I'll keep things really short. The Monday night 9pm Fuji TV drama (typically the hottest time slot for dramas) First Kiss scored a huge premiere with 19.7 rating (we'll talk about its crash and burn next week). The apparently very annoying Hana Sakari No Kimi Tachi He earned more viewers with an 16.8 rating, Yama Onna Kabe Onna, which someone asked me to track, fell just a little bit to a 13.5 rating in its second week, and TV Asahi's bar hostess drama Jotei scored a so-so 12.4 rating. As always, read up on information on dramas at Tokyograph.

- Director Jiang Wen's The Sun Also Rises disappeared just before it was supposed to premiere at Cannes. Turns out it got rejected, because "parts of the film were mangled in post-production," which might be the Chinese excuse for a messy third-act that people hated. Anyway, the film will now finally premiere this fall in Venice and China.

- Japanese public broadcaster NHK charges every household in Japan for watching, no matter how much time you spend watching it. After a wave of people finally fed with their recent corruption scandals, a bunch of people stopped paying. Now NHK has decided to cut fees by 20% and get rid of those annoying door-to-door guys that came to my dorm room to collect. As a side note: I apologize to NHK again for just cancelling my bank account before leaving Japan without notifying them. Thank you for not taking me to court, you greedy assholes.

That's it for the week (probably). I'll be back on time for the weekend, and I'll keep tracking world out there.

The Golden Rock - July 15th, 2007 Edition

I couldn't find the time to record and edit the Podcast today, so it'll most likely come tomorrow.

- Kenichi Matsuyama got his big break playing the eccentric detective L in the Death Note movies, but except for scoring his own spin-off film, he has found little success beyond the successful franchise. For instance, his drama Sexy Voice and Robo crashed and burned in the ratings, and his last starring role in the indie film Shindou didn't even attract the audience to make it a successful indie film. Sadly, his latest film Dolphin Blue continues his slump at the box office. On 100 screens, Dolphin Blue opened with only 25 million yen for only a 250,000 yen per-screen average. His last challenge, and the one most likely to resuscitate his popularity, is the Death Note spin-off L. If even that doesn't bring back to audiences, he can kiss his leading man status goodbye pretty soon after that.

- Meanwhile, the biggest release in Japan this holiday weekend, next to the Harry Potter previews, is Saiyuki, the film adaptation of the TV drama based on the famous Chinese tale Journey From the West. Apparently, its release on 461 screens is the widest release ever for a Japanese film (even the Death Note sequel got only a comparatively moderate 362 screen-release), and distributor Toho somehow pinpointed on predicting the film would make 5.9 billion yen. Maybe? Judging from the trailer, I'm leaning towards "maybe not."

- A week or two ago I wrote about the first Disney Chinese production about to open in China. After two weeks, The Magic Gourd has done rather well, already having attract 750,000 admissions for a 16 million yuan total so far. With the weekend gross dropping very slowly, this movie might overtake Protege as the highest-grossing Chinese film of the year. Thus continues Disney's plan of global domination....

- After the Japan Society in New York's own Japanese film festival, the Korea Society has announced the lineup for their own Korean Film Festival. However, the lineup just simply isn't as exciting as the recent Asian film events in New York. Secret Sunshine isn't even on there.

- Two Chinese directors have just finished documentaries that are worth noting, but for different reasons: First, Jia Zhangke has already finished his follow-up to his award-winning narrative film Still Life and companion documentary Dong with Wu Yong, a documentary about the path of fashion from the assembly line to the catwalk. The other is a documentary on the Yasukuni Shrine by unknown Chinese filmmaker Li Ying, who filmed at the controversial Japanese Shrine for over a decade. It's a brave attempt at what seems to be an unbiased view at a subject that has caused such strong emotions in China.

- This weekend, the long-awaited Hong Kong action film Invisible Target finally comes out, and there's a new poster out to further whet your appetite.

- Reviews from the Daily Yomiuri this weekend include the animated omnibus film Genius Party and three of this season's Japanese dramas.

- Speaking of TV in Japan, the American cartoon Spongebob Squarepants (heard of it, never watch it) has caught on after arriving on the public television NHK network. And it's not even the kids that are loving it.

- The next "city" omnibus film to follow Paris je t'aime is, as reported previously, Tokyo! (That's the title. And I know that a New York I Love You is on the way as well). In addition to the three directors involved - Michel Gondry, Leo Cerax, and Boon Joon-Ho - there's also more information about the films, courtesy of Tokyograph.

- I wrote about Twitch's coverage of the film The Wonder Years, about a young girl's search for a rock star she presumes to be her mother, a while ago. Turns out the movie flopped at the box office, and it's coming to DVD with a mere 6-week theatrical-to-DVD window.

- The Motion Pictures Association continues to stick their nose into Asia's business by helping Japan in a campaign to stop Peer-to-peer downloading.

- Get ready to start looking around eBay, because a thief just stole about 25,000 yen worth of clothes from the set that was used for the hit Japanese film Tokyo Tower. The set remained opened for public visitors after the film finished shooting.

- Yuki Tanada, whose last film credit is apparently the screenplay for Sakuran, signed award-winning actress Yu Aoi on for her latest directorial effort Hayakumanen to Nigamushi Onna, about a girl who flees from home to save up money after she was convicted of a crime.

The Golden Rock - July 13th, 2007 Edition

- Remember yesterday I reported that the new Harry Potter played on only 42 screens in Hong Kong? According to the Hong Kong Thursday opening day numbers (where nothing officially opened since Potter opened on a Wednesday), it's actually playing on 92 screens! This is probably because Ming Pao daily meant 42 theaters, and most of these theaters are multiplexes that are playing the film on multiple screens. This makes the negative reporting on Ming Pao's part more accurate, since the film managed to take in "only" ("only" being a comparative term with Spiderman 3 and Pirates of the Caribbean) HK$3.15 million for the two-day total of HK$6.68 million. Simple math would show that the opening day gross was HK$3.53 million on 92 screens. Still, the opening is the highest in the Potter series, and apparently it's the highest non-holiday opening day ever.

Meanwhile, Die Hard 4 begins to slip with only HK$360,000 on 36 screens after a 15-day official total of HK$13.48 million, and Shrek 3 also dies down with just HK$190,000 on 34 screens with a 15-day total of HK$18.85 million. Believe it or not, there are still four movies on the top ten, even though their grosses are pretty weak - Hooked On You leads the pack with HK$140,000 on 19 screens for a 15-day total of HK$8.09 million; Wonder Women made HK$60,000 on 9 screens for 8-day total of HK$1.11 million (making it the lowest-grossing handover commemoration film out of the three); Eye in the Sky made HK$10,000 on 4 screens for a 22-day total of HK$4.12 million; and Simply Actors made a measly HK$4,000 on 3 screens for HK$9.3 million after 24 days. This is scary: Only two HK films have broken that HK$10 million mark this year - Protege (good) and Love is Not All Around (bad).

(HK$7.8=US$1)

- In a prediction of how the latest Pokemon film will do in Japan, 2 million advance tickets have already been sold before the film's opening this weekend. While these tickets are cheaper, at least they're money in the bank before the film has even opened. Plus, we know with kids' films that admissions is the true gauge of success, not money.

- A month ago or so, the Hong Kong press covered the hell out of Japanese pop diva Ayumi Hamasaki's visit to Hong Kong to shoot the MTV for her latest single, which also stars Hong Kong model-turned-serious-actor Shawn Yue (no kidding, he went to New York for three months for acting lessons, with a translator in tow and all). Turns out the whole thing is a short film that'll be featured on the DVD accompanying the single, which apparently will be out on the 18th.

The MTV, which I guess is part one, is now on Youtube. Hong Kong certainly looks real pretty, but director Wong Hoi (I think he does music video in HK) edits the whole thing as if he's trying to make Infernal Affairs 328, which again shows the ineptness of MTV filmmaking in Hong Kong (EDIT: Now I remember. Wong Hoi was the editor on Initial D, which means he was responsible for the incredible annoying editing style that single-handedly ruined the film. It all makes sense now.). Plus, the whole communicating by dictionary thing just reminds of that episode of Undeclared where one of the main character can only communicate with his new Japanese girlfriend through talking dictionaries in each other's languages. The storyline, in which Ayumi plays herself falling in love with her bodyguard during a video shoot in Hong Kong, is especially strange, seeing how she had just announced her break-up with her boyfriend of 7 years.

- Speaking of Youtube, Tokyo local broadcasting network TokyoMX, which is like the community news channel, has signed a deal to put their program on the video site. They are the first Japanese television station to do so, and I hope more stations will follow their lead.

- Jason Gray talks about the latest film by Isao Yukisada, who is getting out of his period drama slump after making THE movie of 2004 Crying Out For Love in the Center of the World. Amazingly, this childhood fantasy film is actually an original screenplay rather than based on preexisting material.

- The Puchon International Fantastic Film Festival (better known as PiFan) launched on Thursday after years of turmoil. However, this year will see 215 films screened in 10 days, and ticket sales are up.

- In more festival news, Ang Lee's latest Lust, Caution has officially been invited to the Venice Film Festival. This year's festival, whose jury will be headed by Chinese director Zhang Yimou, is already feeling the Chinese influence after this week's announcement of Alexi Tan's Blood Brother's placement as the festival's closing film.

- Lastly, Benny Chan's Hong Kong summer action flick Invisible Target, which is one of Hong Kong films' final hope this summer, has already been bought up by the Weinstein Company for distribution in North America, Australia, and South Africa. Distribution means they'll hold it until everyone also bought the Hong Kong DVD, then release it with a corny English dub, straight-to-video style.

The Golden Rock - July 7th, 2007 Edition

- This week, Japan Times reviews the Ryuichi Hiroki(who also made Vibrator) film Koisuru Nichiyoubi - Koi Shita (Thanks to Ryuganji for the link this week, because it wasn't found from the Japan Times film review listing for some reason). Made under a project for the satellite channel BS-i, the film is currently playing at a Shibuya theatre. However, it actually opened last month at another theater in Shinjuku already, and only saw 1025 admissions/1.37 million yen. Since the theater has a capacity of 330, that means the shows aren't even half-full on average. However, unlike other television-financed blockbusters, the experimental project is meant to show off new talents with commercial genres.

- Meanwhile, the Daily Yomiuri have reviews of Andrew Lau/Alan Mak's Confession of Pain (which opens this weekend in Japan with a better trailer, despite some inaccurate subtitles. Japan Times also reviews it, though reviewer Kaori Shoji incorrectly identifies Andrew Lau as the sole director.), Pedro Almodovar's Volver, and of course - the new Harry Potter movie, which seems to be drawing the most negative reviews of the series. They also give a very enthusiastic review for the new drama "Papa To Musume No Nanakakan," which seems more like a idea stolen from Walt Disney's 1976 film Freaky Friday (it was even remade a few years ago, so the TBS guys have no excuse)

- I found a very interesting Chinese blog on Hong Kong cinema that covers everything from films to theaters to ticket inflation. Recently, the blogger looked at why Simply Actors (starring Jim Chim and Charlene Choi) did so much business its opening week, except for the fact that it opened on a public holiday. Turns out the promotional campaign includes three different types of HK$10 off coupons that are good for different days of the opening week, which may mean lower box office gross, but also means more incentive for people to go to the theater. It's even cheaper than buying a VCD, for crying out loud.

- In DVD news, the Japanese comic adaptation film Nana 2, which flopped pretty horribly at the box office last winter, is coming to an English-subtitled Hong Kong region 3 DVD on July 12th. Also, the DVD for Han Jae-Rim's The Show Must Go On is coming to Korean region 3 DVD on July 19th.

- Prepare to see Yoji Yakusho everywhere when you head off to the Japan International Contents Festival this fall, because the actor has been chosen as the face of the festival.

- Alexi Tan's Blood Brothers, also produced by John Woo and Terence Chang, is slates to have its world premiere as the closing film at the Venice Film Festival in September. But what is this whole thing about it being a remake of Woo's Bullet in the Head?

- In the first half of 2007, Korean cinema took up only a 47.3% share of the total theatrical market at home, which is its lowest since 2001. In comparison, Korean films took a 60% market share in 2006. I've said before, plenty of countries outside the United States would kill for that kind of numbers. Yes, even the 47.3 % one.

- Considering that it's over on Monday, this news is a little late, but this year's Taipei International Film Festival seems to have the largest Chinese cinema lineup in all of Asia. It even has Hou Hsiao-Hsien sitting on top!

Tomorrow, Podcast and more and more news.

The Golden Rock - June 13th, 2007 Edition

- Let's start with the weekly Oricon charts today. The singles chart was shook up by the new single by Johnny's Entertainment boy band KAT-TUN. Debuting at first place, they sold a phenomenal 300,000 copies (considering the weak singles chart in the last two months, 300k is pretty damn good), but like most boy bands, expect that number to see a pretty steep drop by next week. Elsewhere, Keisuke Kuwata's Ashita Hareru Kana sticks around for yet another week at 5th place, selling another 20,000 copies. Another drama theme, Bonnie Pink's Water Me, fails to take advantage of Liar Game's popularity and debuts only at 8th place with 15,000 copies sold. Next week, expect YUI's latest to rule the charts, as KAT-TUN has already fallen quite a bit.

On the album chart, another Johnny's boy group Kanjani debuted at number one with their latest album, selling 211,000 copies. ZARD's Golden Best album rises to second place this week after the death of singer Izumi Sakai, with nearly 60,000 copies sold. Mariya Takeuchi's album falls to third place after taking the top spot for two weeks in a row, Marilyn Manson's latest manage to sell 15,000 copies at 15th place, and MUCC also manages to sell 8000 copies of their worst-of album. Believe it or not, Bon Jovi might rule the album chart next week. That's even scarier than Linkin Park.

- Following the casting of Yu Aoi for the big Fuji TV animated special, Japanese pop star Namie Amuro will make her voice debut for the computerized animated series "The World of Golden Egg," and her scenes will appear in a DVD that will come with her upcoming album. This is what it will roughly look like.

- Variety Asia has more on the box office performance of Shrek 3 and the historical epic Hwang Jin Yi this past weekend.

- China is expecting 4 billion people will watch the Beijing Olympics next year, 1 billion more than the 2004 Athens Olympics. Um...did they just add the entire Chinese population onto that number?

- There's also a "propaganda" film being made in China about the first Chinese athlete that competed in the Olympics. Propaganda? Nationalist films from a democratic country=patriotic, and nationalist films from a non-democratic country=propaganda? These guys aren't exactly the freaking Nazis, people.

- Christopher Nolan's The Prestige didn't do so hot this past weekend in Japan, making only 110 million yen. That's only 38% of Batman Begins, which didn't even do all the well in Japan with only 1.4 billion yen total gross. Apparently the Japanese theme song by Gackt didn't help things, nor did that poster.

- I saw the French film 36 two years ago in Hong Kong and thought it was OK (I like the idea better than the execution). Now Martin Campbell, who made two solid 007 movies, has signed on to do the remake, which will shift the focus to two 30-something detectives instead. I figured it was prime for a Hollywood remake, but I'm not looking very forward to it.

- Live Free or Die Hard, the 4th film in the series (and bound to be the weakest in terms of intensity thanks to the studio's intention to make a PG-13 movie) is apparently set to open in Japan before anywhere else in the world.

- BC Magazine, where a certain blogger on the right works at, has a bunch of reviews for new Hong Kong films such as Call me Left and Law Chi-Leung's Kidnap.

- Hollywood Reporter writes about Naomi Kawase's further complaints about the Japanese government's lack of support of local cinema.

- Twitch has more on Never Forever, a Korean-American joint production by Gina Kim and produced by Lee Chang-Dong (Secret Sunshine). It premiered in Sundance 2007, but what's the word-of-mouth?

- Following in the footsteps of Hong Kong's successful Entertainment Expo, Tokyo has unveiled its own 40-day long Contents Festival, which will include the Tokyo Game Show, a music market, a developer's conference, an animation meeting, and the Tokyo International Film Festival. That's probably a little too much for anyone to handle, but I doubt anyone will be there for all 40 days anyway. Except maybe me. It will start this September.

- Rain just can't get a break. His highly-anticipated North American concert tour has been halted because a small Nevada record company called Rain Corp. is suing Rain for the use of the name. Rain will now either have to pay to use the name, or just simply call off the concerts. Who is surprised that something like this happened?

- Another Japanese comic is being adapted into a drama, but this time it's a very serious story about the aftermath of the atomic bombing in Nagasaki.

- Spanish filmmakers can't even get their own people to like local films. The top three box office grossers from last year are from Hollywood, while the highest grossing Spanish film is a "swashbuckling extravaganza." I love the last line: "The biggest fans of homegrown cinema were in the lowest income bracket, with lower educational qualifications, Garcia said." Short version: Spanish mainstream audiences share taste with rest of the world outside the United States.