The Golden Rock - October 23rd, 2007 Edition

This is going to be another relatively short entry. Quite frankly, I was expecting more news from the Tokyo International Film Festival, but we only have this so far:

- The Tokyo film market started yesterday with higher attendance. However, with the Asian Film Market just wrapped up at Pusan and the American Film Market coming up, it seems like not quite enough is happening there.

- It's reviews time! From Variety's Russell Edwards comes a review of Kenta Fukasaku's horror flick X-Cross. Also from Edwards is a review of Isao Yukisada's moderate hit/Erika Sawajiri-controversy-fodder Closed Note.

- Under "this film may very well signal the apocalypse" news today, director Rob Cohen wrote in his blog that he has taken the shoot for "The Mummy 3," co-starring Jet Li, Michelle Yeoh, and Isabella Leung, to Beijing. With a scene described as "the Dragon Emperor racing through 1946 Shanghai Bund with 4 bronze horses," don't be surprised that you won't find this film in a Mainland Chinese theater near you.

- Under "Japanese animation houses" news today, otakus, anime buffs, and fans of weird Japanese films will be quite happy about the team assembled for the new animated film Red Line. Meanwhile, animation house GDH will be releasing their first live-action effort in late November.

- Satoshi Tsumabuki will actually be in a film that might be interesting (as opposed to...5 seconds in The Fast and the Furious 3): He will play a teacher in a pseudo-documentary (based on a real 1993 documentary) featuring 28 children that will actually live together and raise a pig together. The film will follow a general plot, there will not be a script.

- In a crime against cinema, there has yet to be an American distributor for the excellent Memories of Matsuko because of "its depiction of domestic violence." If it can be a 1 billion yen-plus hit in Japan, why can't it stand a chance in America?

The Golden Rock - October 3rd, 2007 Edition

- It seems like I made a mistake last week in predicting this week's Oricon charts because the daily charts at the time had not included the new singles yet. So the predictions from last week are completely wrong. On the singles chart, YUI's latest, the theme song for the film Closed Note, debut at number one with about 87,500 copies sold. BoA's latest is far far behind at 3rd place with about 28.400 copies sold. Ayumi Hamasaki's latest actually did not top the charts again, falling to 4th place with just 18,700 copies sold. Next week (and this should be correct), expect rock superstar band B'z's latest single to top the chart.

As Tokyograph predicted, Ai Otsuka's latest album topped the albums chart with about 208,000 copies sold. Not too close behind at second place is personal favorite Tokyo Jihen's 3rd album, which sold about 101,000 copies in its first week. Angela Aki's album falls to 3rd place in its second week, and I can't believe Hideaki Tokunaga's cover album is still going this strong at 4th place. Next week, expect the album chart battle to be between Yuki's or Yuzu's compilation albums.

- I'm combining the box office and the regular entry into one today. The Japanese box office numbers came out, and there are a bunch of discrepancies between the numbers and the admissions ranking. Apparently the Isao Yukisada film Closed Note may have attracted less people than Perfect Stranger, but it make more cold, hard cash, putting it at 2nd place. The same thing happened between Fantastic 4 and No Reservations. Also, La Vie En Rose actually opened on 196 screens, which makes it 8th place opening kind of disappointing.

Actually, Closed Note's second place opening isn't all that swell, either. While it is 176% of the opening for Sugar And Spice ~ Fumi Zekka, it's only 94% of the opening for Yukisada's Haru no Yuki, which means the film will barely pass the 1 billion yen mark in box office.

- Speaking of Closed Note, its star Erika Sawajiri has apologized for her rudeness in a recent press conference for the film. Still, her appearance at the film's screening at the Pusan Film Festival has been canceled due to the incident. I'm not exactly sure how not having her take an extra trip to Korea to promote a movie is punishment unless she was going to get paid.

- Speaking of Pusan, Hollywood Reporter has a bunch of reports from the festival. First, a general overview of this year's festival, then a report on the new anti-piracy campaign being launched at the festival, and a preview of opening film The Assembly, which will see its world premiere on Thursday.

- Speaking of Feng Xiaogang, he has already casted Jiang Wen and Ge You for his next film, a comedy that pokes fun at the new overnight millionaires of China. Sounds like Feng is going back to his roots as a commercial comedy director.

- As a young aspiring filmmaker, this news is quite disappointing: The new Film Development Council of Hong Kong has announced their terms for disburse the HK$300 million film fund - by giving it to commercially-appealing films made by experienced filmmakers/producers. That means your director or producer has to have made at least 2 films, but yet your budget has to be kept under US$1.55 million (HK$12.1 million). Not that they'll actually give you more than 30% of your budget anyway.

Do these people actually know how much it cost to make an audience-friendly, commercially-appealing movie these days? Your average movie star take at least HK$4 million already, and what commercially successful HK movie this year actually cost just HK$12 million? Obviously, the money should've gone more to developing young talents, but what can I say? I go to film school in Hong Kong, so that makes me biased by default.

- On the other hand, legendary Japanese filmmaker Yoji Yamada is working with the students of a film class he is currently teaching on a new film as part of a collaboration between Shochiku and a university in Kyoto. Eventually, the studio will establish a training facility with the students of the university as research interns. THIS is how you develop young talent, Hong Kong Film Development Council.

- Meanwhile, Yamada's latest film Love & Honor, starring Kimura Takuya, has been picked up by tiny American distributor Funimation, and will be released in one New York cinema in November.

- It's reviews time! From Variety, we have a short review by Robert Koehler for Christmas in August director Hur Jin-Ho's latest film Happiness, and a review by Russell Edwards for the Japanese film Sea Without Exit.

- From Lovehkfilm, Kozo has reviews for Oxide Pang's entertaining mystery-thriller The Detective, the shitter Wong Jing comedy Beauty and the 7 Beasts, the independent film Breeze of July, the Taiwanese film The Most Distant Course, and the 80s action film Angel. From Sanjuro are reviews of Japanese sports drama Rough and the Japanese drama A Long Walk. From yours truly are reviews of the Japanese art film The Many Faces of Chika and the independent award-winning film This World of Ours. Expect an interview with the director on this blog soon.

- Variety Asia has a feature on the future of film investment in Asia, as many major film markets in the region have been seeing a downturn in the number of productions. Of course, it was eventually going to happen anyway after so many years of growth.

- With over 200 million yuan, Michael Bay's Transformers have become the second highest-grossing foreign film in China, just behind Titanic. I could say something about this, but I've run out of energy.

- World, meet Jeong Seung-Hye, one of Korea's most promising up-and-coming producers.

- Creepy news coming out of Belgium, it seems like a note was found near where severed body parks were found in a park that may be connected to the Death Note comics. I think the killer forgot the part where he's not supposed to do the murdering himself.

The Golden Rock - October 2nd, 2007 Edition.

- Grady Hendrix has picked up on the Jackie Chan blog posts controversy. It kind of started when he wrote in his own blog telling audiences to not have much expectation for his latest Hollywood film The Forbidden Kingdom. Then the press picked up an "old post" where he even admit that he doesn't care much for the Rush Hour films (I don't blame him for that at all). However, Jackie also admitted that he only did them for money, which begs the question: Why is he just settling for lots of money instead of trying to make better movies?

A blog post I found at EastSouthWestNorth pretty much takes the argument back to Chan as well: Why blame Hollywood when he's the one that took all those jobs? And why blame audiences when no one really liked The Tuxedo?

Speaking of Jackie Chan still being in shitty movies, he has reportedly signed up to play Mr. Miyagi in the Will Smith-directed remake of The Karate Kid. Who will play the titular Karate kid? Smith's own son. Say it ain't so, Jackie! (thanks to Steven for the link)

- In Japan, the daily NHK drama Dondo Bare ended with a solid rating of 23.2% rating for its finale (that's actually the highest-rated finale of the season) after scoring the lowest-rated premiere in the history of NHK's morning dramas.

Following it is Chiritotechin, which did not premiere to the worst ratings in NHK morning drama history. Instead, it scored an average of 16.5% rating, which is only the third worst morning drama rating in history.

- Under "the death of Hong Kong cinemas" news today, The Queens Theater had its last show this past Sunday, which means Hong Kong has lost yet another single-screen theater from the old golden days.

Of course, when a theater goes away, there's always a multiplex to replace it. Get ready for The Grand Theater and its 12 screens with 1600 seats (that's a sad 133 seats per theater on average).

- I'm actually a big fan of the film Rendan, actor Naoto Takenaka's directorial effort from a few years ago, which is why I'm somewhat excited that he's making a new film, this time a zombie comedy. However, I'm not as excited as I should be because it's a zombie comedy.

- Variety Asia has a small story on emerging Hong Kong studio Sundream, which would be a lot more likable if it wasn't for that damn logo (not to mention that blue background).

The Golden Rock - September 30th, 2007 Edition

- I guess I should start off and tell you that there's a new review/observation post at the spin-off about Maiko Haaaan!!! and Beauty and the 7 Beasts. I can give you a preview and say that Beauty and the 7 Beasts is the worse HK mainstream movie I've seen this year...and I saw Contract Lover.

- It's reviews time! Twitch has a review of India's best foreign film Academy Award contender Eklavya, and Japan Times' Mark Schilling has a review of the Japanese indie film Baum Kuchen, which is currently playing at one Tokyo theater for one show a night.

- Stephen Chow's A Hope has finally locked a release date of January 31st, 2008, although I'm not sure if that opening date also applies to Hong Kong. As for the alien, Chow reportedly told Oriental Daily that the design is a homage to Steven Spielberg's Close Encounters of the Third Kind, not a rip-off. You can probably only use the word "homage" for films more than 20 years old.

- While Stephen Chow takes three years to make his follow-up to Kung Fu Hustle, Takashi Miike is already releasing his third theatrical release of the year. More information from Twitch and Ryuganji.

- Under "Korean actress casting" news today, Gianna Jun (the artist formerly known as Jeon "My Sassy Girl" Ji-Hyun) is done with her first non-Korean film Blood the Last Vampire and back in Korea for the mid-budget comedy drama The Guy Who Was Once Superman. Meanwhile, Cannes best actress winner Jeon Do-Yeon has already decided on her next film, A Fine Day by director Lee Yoon-Ki (who last made the quiet gem Ad-Lib Night.) Guess which one I'm looking forward to more.

- Satoshi Kon's Paprika picked up the Theatrical Film Award at the 12th annual Animation Kobe Award.

- Also, Wayne Wang's A Thousand Years of Good Prayer picked up the prizes for best film and best actor at the San Sebastian Film Festival. If you remember, Wang admitted that a Chinese investor pulled out of the film because the director refused to take out a line that was critical of the Chinese communist government.

- With it crashing and burning in Chinese theaters, the distributor for Jiang Wen's The Sun Also Rises is trying hard to boost business for the weeklong public holiday period.

The Golden Rock - September 28th, 2007 Edition

- First comes the news that any blogger who cares about Japanese films is blogging about - the reveal of the FilmEx lineup. First a general report from Variety Asia, then Ryuganji reveals the Japanese selections, and Jason Gray has a comprehensive report. As much as I liked Eye in the Sky (good execution for two-thirds, then a contrived ending), it probably doesn't stand much of a chance. The festival will run from November 17th to the 25th.

- Apparently Seven Swords wasn't enough for him. After Missing, which is supposed to have something to do with a ring underwater, Tsui Hark will be working on what is being called his "comeback film." The 13 Regiments will apparently group 13 stars together - including Simon Yam, Donnie Yen, and Nicholas Tse - and have them going around the world to recover Chinese relics scattered during "the war." When the hell was Tsui Hark ever gone? He still has Triangle coming out, and he's already working on one film before going on to this one.

- In a continuing crackdown of the media following that ridiculous mandate regarding talent shows, the Chinese government has shut down 1,466 ads that may contain offensive materials such as scantily-dressed women or sexually suggestive language. They even censored ads for underwears. Everyone wears underwears, people. Even communists.

- One director trying to fight against that is Chinese-American director Wayne Wang. According to him, a Chinese investor pulled out because Wang refused to cut a line in his latest film A Thousand Year of Prayers that says "Communism is good. It just fell into the wrong hands." Any film that criticizes the Chinese government is of course a no-no, so the investor was forced to back out, taking away half the film's budget.

- Forbidden Kingdom, the film that both its superstars Jet Li and Jackie Chan are calling "not very good," is done shooting and taking its post-production to South Korea.

- For those who has seen the Hong Kong action flick Invisible Target, do you remember the blonde guy who's involved in two of the chase scenes in the first hour? I know, I don't remember much about him either, but apparently he's going to Hollywood. Are they really paying him "seven digits"? It's probably in yen, right?

- After the moderate success of TMNT, Hong Kong-based Imagi Animation Studio will team up with the Weinstein Company and Warner Bros. again for two more projects, the Japanese comic adaptations Gatchaman and Astro Boy. This should put Hong Kong computer animation on the map. This means Centro better get on its ass and make something better than The Magic Gourd. Still...American studios producing an adaptation of Astro Boy just doesn't sound very promising to me anyway.

The Golden Rock - September 24th, 2007 Edition

- It's reviews time! Variety catches up with some Hong Kong film reviews from Toronto, including a disappointingly short review by Scott Foundas for Pang Ho Cheung's Exodus (why the hell do they keep calling it The Exodus?), and a review by Robert Koehler for Wilson Yip/Donnie Yen's Flash Point.

- Korean director Lee So-Yeon's Uninvited might have been a commercial flop in South Korea, but that doesn't mean he's not talented. His latest screenplay Hwan Gung, about a man who believes himself to be a warrior sent to send a woman who thinks she is a mermaid back to the sea, won the Busan Screenwriting Competition, which gives him a grant of 20 million won (roughly US$20,000).

- Under "I just can't get interested in this" news today, Taiwanese idol Wu Chun will be joining the cast of Jingle Ma's Wu Xia Liang Zhu (or a martial arts version of the classic tale Butterfly Lovers). Twins' Charlene Choi will be playing the other ill-fated lover, and Nicholas Tse is also in talks to join as another potential suitor for Charlene's cross-dressing character who will probably fight while hooked on some wire.

Honestly, this sounds like it'll be a pretty shitty movie already.

- From Variety Asia is a short profile of China Film Group head Han Sanping. He's the one that said China needs more "ethically inspiring movies" and said any China-basher is "mentally challenged." Actually, Quentin Tarantino is still saying dumber things (look at the second-to-the-last paragraph).

- From Twitch is a few small paragraphs devoted to the Japanese comedy Maiko Haaaan!!!, which I'll be catching this Friday night.

- Before you in the West go watch it, Ang Lee would like to tell you that his latest film will probably disappoint you and whomever you go watch it with in your local American arthouse.

- EastSouthWestNorth writes about a set of commercials for a Hong Kong theme park not named Disneyland that are freaking some people out. True, the version with both ads on Youtube isn't all that scary, but the original version of one of them is actually pretty freaky stuff.

The Golden Rock - September 22nd, 2007 Edition

The Golden Rock just finished his first short film in Hong Kong yesterday, so we decided to take a little break yesterday. Plus, there's just not enough news to spread out over three days anyway.

- After last reporting that the US-based Viz Media picked up the two Death Note movies, they have also announced that they picked up the film festival-favorite/weirdfest Funky Forest.

In a related note, Grady Hendrix also has an interview with Manami Iiboshi, the Director of Marketing for Viz Pictures, who mentions that Viz is actually building their own arthouse theater is San Francisco to push their Japanese live-action film acquisitions.

- It's not a first in terms of film, but I guess it's a first for him. Korean actor Kim Rae Won will be starring in his first Japanese film alongside Japanese actress Mirai Yamamoto. As always, it's yet another love story between characters whom I presume to be Korean and Japanese, and hey, you won't have to wait long: the filming already took place this past Spring.

- Two more Asian countries decide on what film to submit to compete for the Academy Awards for the best foreign film - Singapore will send the hit musical 881, while the Philippines will send Donsol, which has won awards at several film festivals.

- This weekend, the Japan Times' Mark Schilling has a review of Naoko Ogigami's Megane, her long-awaited follow-up to the indie hit The Seagull Diner.

That's it for today, but look for a long-awaited entry in the spin-off

The Golden Rock - September 19th, 2007 Edition

- Looking at the Oricon charts, it was a pretty busy week for the singles market. KinKi Kids' latest takes the top spot with an impressive first-week sales of 190,500. On the other hand, Koda Kumi's latest sold 65,000 copies, which would've earned it a number one spot any other week. Ken Hirai's latest's debut is a little soft, selling just over 20,000 for 6th place. Also, at 7th place is the latest electropop group Perfume, and it's also their first single to debut on the top 10. Next week, expect Ayumi Hamasaki's latest (that was fast) to take the top spot yet again.

Things were slower at the albums chart. As expected, Johnny's Entertainment's V6 took the top spot with their latest album, selling 76,000 copies in the first week. The Cro-Magnons, whose lead and guitarist were part of the legendary The Blue Hearts, saw their latest album sell 32,000 copies for a 7th place debut. Somewhat disappointing is the debut of model-turn-pop-star Leah Dizon, whose debut album sold only 27,000 copies for a 9th debut. Looks like the Japanese public knows there's a difference between being able to model and being able to release a competent album. Next week, expect a busy albums chart, but nothing will sell very spectacularly.

- This news is too big not to be at the top. Chow Yun-Fat is looking at a possible collaboration with Hong Kong director extraordinaire Johnnie To on an action movie that might begin to shoot as early as next month. To, who always seems to be juggling several movies at once, has cleared his schedule for this film and is working on the script with frequent collaborator Wai Ka-Fai.

- With just a little more than a month to go, the Tokyo International Film Festival has finally released its full line-up. As announced beforehand, the action film Midnight Eagle will open, and the French period drama Silk will close. the busy Takashi Miike's latest Crows will also have a special screening at the festival.

- The hit comic/animated series Detective Conan will come back for another live-action TV special. Shun Oguri, who was in the first TV special, will reprise his role, and it will be shown on TV in November.

- A television network in Japan decided to cancel the broadcast of the last episode of the animated series School Days after a 16-year-old girl killed her police officer father with an ax in Kyoto recently. The final episode apparently features high school girls acting violently, which I'm sure never happen in real life.

- Under "Doesn't he have anything better to do" news today, Francis Ng is reportedly publishing an English novel about a Tibetan monk. However, he admitted that his writing is not good, and that he would find a ghostwriter. But shouldn't writing well be a basic criteria for publishing a novel?

- Variety's Dennis Harvey gives us a short review of Hollywood Chinese, a documentary about Chinese people in Hollywood (mostly the lack thereof).

- Quite frankly, I wasn't all that thrilled about a lot of the news today (although I'm sure you would be if you're a fan of anything I mentioned here today), so I should give myself some motivation by devoting this entire paragraph to the news that the Shiina Ringo-led Tokyo Jihen will be providing the ending theme song to the film Myoro No Hako. I care because this is the first time the Jihen will be providing a song for a film. Also, I'm sure Shiina Ringo will subsequently sing about 20 covers on it on different albums and concerts.

- According to Apple Daily (NOT one of the more trustworthy newspapers in Hong Kong), netizens have been trashing Pang Ho-Cheung's Exodus quite brutally. One netizen wrote this in reference of the film's message: "When a movie becomes so bad, some people might believe it's art. But it doesn't mean there's no such thing as a bad art film." Another person wrote: "The more incoherent it is, the more it means it's an exceptional film." Ouch.....?

The Golden Rock - September 18th, 2007 Edition

Usually, I would start today with a box office report for Japan, but the public holiday yesterday meant that we only have admissions ranking today. So we shall start from there:

- The top 3 films from last weekend - Hero, Evangelion, and Life: Tears in Heaven - continue to hold their spots. Two newcomers that managed to break into the top 10 are the family film Miss Potter (a bit of a surprise for me, but maybe not to others) and Takashi Miike's Sukiyaki Western Django, which opened at a disappointing 7th place. Numbers should come tomorrow.

- According to a senior Chinese film official, Ang Lee's Mainland Chinese version of his latest Lust, Caution, which is reportedly half an hour shorter than the final product and cut by Lee himself, should pass the censorship process. However, the official hasn't seen the movie; he just believes Lee's shorter cut will be satisfactory.

- Here is a radio capture of the Lust, Caution theme song sung by Jacky Cheung (courtesy of EastSouthWestNorth)

- On the other hand, Chinese director Jiang Wen, whose previous film Devils on the Doorstep caused him to be banned from directing for 5 years, simply refuses to talk about the censorship process to avoid getting in trouble. His latest film, on the other hand, DID pass the censorship process and will open in China without any problems. It will also open in Hong Kong 6 days after Lust, Caution, hence the connection.

- Meanwhile, the Associated Press has a very positive review of The Sun Also Rises.

- Of course, since we ARE talking about Chinese censors, here are two more examples: Some creative ways by the censors to get Hollywood to cut their movies, including cutting the torture scene in Casino Royale and even 10 seconds of the Taiwanese flag flying in the background of a scene in The Pursuit of Happyness. And we also have why Bae Yong-Joon's latest drama Four Guardian Gods of the King won't be showing on Chinese screens any time soon. (links courtesy of EastSouthWestNorth)

- Hong Kong 20-somethings love playing their PSPs and Nintendo DS on the go. As sad as this sound, they would literally sit down with their girlfriend while one of them play and the other watches. And a lot of the times, these people are actually playing pirated Nintendo DS games (I don't think legit games have a screen that says "game master" before the game loads). So why the hell are the Japanese only going after the Koreans?

- It's reviews time! Variety's Derek Elley has a way-too-kind review of Alexi Tan's Blood Brothers, and Variety's Alissa Simon has a review of the epic film Mongol, starring Japanese indie fave Tadanobu Asano and Chinese thespian Honglei Sun, who was also in Blood Brothers. Yes, it makes perfect sense why I'd put these reviews up on the same day!

- Apparently it was being marketed at this year's Filmart in Hong Kong, but it still seemed to have come out of nowhere. It's Oxide Pang's C+ Detective, starring the buffest Hong Kong best actor winner ever Aaron Kwok. A trailer is up now, and it opens next week in Hong Kong, which means I'll probably go watch it (then again, I did miss Naraka 19...). By the way, C pronounced in English and "plus" in Chinese sounds like "private." Private detective. Get it?

- This is my favorite report of the day - Jackie Chan apparently wrote on his blog warning fans to not raise their expectations for his latest film Forbidden Kingdom. My favorite quote - ""I believe the world is anticipating the movie, but I'm not too involved." In addition, Jet Li has posted a similar advisory on his own blog, telling fans not to raise their expectations for the Jet-Jackie fight scene.

- Apparently there's a new made-for-TV from Canada called The Devil's Diary that's about a teenager who picks up and "ancient book" that would grant her any wish, including death. Obviously, Asian entertainment buffs are not hesitating one bit in calling it a rip-off of Japanese comic Death Note, about a notebook that would kill anyone whose name ends up on it.

It doesn't premiere until next week, so feel free to just watch a promo and assume everything you can from it.

- It's not confirmed, but director Alan Mak (A War Named Desire, Rave Fever, and the co-director of the Infernal Affairs trilogy) says that he is in talks to sign Sammi Cheng for his latest film co-starring Eason Chan.

The Golden Rock - September 17th, 2007 Edition

It's still Sunday in the states, and Asian films didn't win anything in Toronto, so there's just not that much news out there today:

- Apparently there is such a thing called "sex radio" in China. At least, radio shows that talk about sex. However, I will never be able to find out what they're like, because they just got banned. I really wanted to know about the "efficacy of certain drugs for sex" too.

- Yutaka Takenouchi, whom I always believed to be a cooler version of Takashi Sorimachi, is returning to film after he was in Calmi Cuori Appassionati 6 years ago. This time it's an adaptation of the story "Wenny Has Wings," about how a tragic accident strains the bond of a family. I was really hoping he would just lighten up and do a comedy.

- After Hong Kong-based Max Makowski works on the ill-advised remake of Shinobi (the one that will be about Hong Kong triads instead of ninja clans), he will help revive the 70s television series Kung Fu for film after Allen and Albert Hughes (these guys haven't really worked for a while) decided to take on another project. Please don't tell me this one will involve triads too - just because you're based in Hong Kong doesn't mean it always have to be about triads.

- It's more French than Asian, but Variety's Ronnie Scheib has a review of the French film Plum rain, about a stage director who goes to Japan to oversee his play being performed there. That in itself makes it worthwhile of the blog.

- If you're in Spain in October, be sure to check out the Sitges film festival. This year, you would apparently get to see Dai Nipponjin, Vexville, and Sukuiyaki Western Django, among other films.
- How can Toho simply let people take their most acclaimed films get into the hands of pirates? A Tokyo court has now ordered a company to halt production on their Kurosawa collection. Er....doesn't that mean it's time for Toho to release relaible and cheap DVDs of Kurosawa films?

The Golden Rock - September 2nd, 2007 Edition

I apologize for the lack of news all around, but at least it makes the daily entries easier to read.

- Way to make a multimedia project - Japanese pop rapper Kreva's latest single "Because" not only comes with a 9-minute short film (seen here, comprised of just two people talking a lot without subtitles), but also a mobile novel written by the same person who wrote the short film. That mobile novel is so popular that it received 10,000 hits in the first two days. Can anyone that understand Japanese watch the MTV and tell me if it's THAT good?

- Twitch originally had more information about Koji Yakusho's latest, but the site went down just as I'm writing this entry, so you can read it for yourself when the site gets back up.

- The same goes for their review of Alexi Tan's disappointing Blood Brothers. But the review is written by contributor Stefan anyway. I would actually really like to see Twitch head honcho Todd's reaction, especially after he looked so forward to it.

- Speaking of reviews, Mark Schilling of the Japan Times has a review of the drama adaptation film Hero, starring Kimura Takuya. Apparently this one is expected to do as well as the Bayside Shakedown series, but it has to be good first, don't it?

- For your information, I wrote a short review of Alfred Cheung Kin-Ting's Contract Lover, starring Richie Ren and Fan Bing-Bing, on the spin-off blog.

- The censorship of free information on the internet continues to rear its ugly head as the Thai government finally decided to lift its ban of Youtube only after the site has the technology to immediately remove any video that offend the king.

- In addition to the lead actor being Kenichi Matsuyama, there is finally more details about the Death Note spin-off film L, including additional casting and even bits of the plot. Please, please, please not let there be a cute kid involved.

- Apparently the opening weekend for the sexually explicit flick Shortbus was quite successful, making 2.69 million yen over two days, attracting audiences of all kinds. However, no admissions figures are available

The Golden Rock - August 26th, 2007 Edition

- The problem with being a director that makes the highest-grossing film that year is that expectations suddenly grows high on everything you do. This is the case with Isao Yukisada. After Crying Out for Love in the Center of the World made a ton of cash in Japan, Yukisada's work has been hit-and-miss, with studio films Kita No Zeronen and Haru No Yuki. Then he returns to write and direct Into the Faraway Sky, a children's fantasy film that he started working on from scratch for 7 years. However, his name is the only thing that the film had going for it, and 27.04 million yen on about 120 screens. That opening is only 15% of The Great Yokai War. Would this mean Yukisada is going back to studio-friendly big movies?

- Apparently, there's a trailer for the sequel to the hit film Always: Sunset on Third Street that I can't get to work. Anyway, director Takashi Yamazaki returns to the director's chair (apparently, no one called him to make Returner 2)

- Speaking of Returner, Takeshi Kaneshiro is apparently director Peter Chan Ho-Sun's Robert De Niro, as Kaneshiro will be starring in his third Chan film in a row. This time, it's back to the vein of the romance genre about a pair of lovers who wait 18 years for each other. Note: the link in that post to the Mainland Chinese website no longer works, so I have no idea whether this news is true or not.

- Did anyone notice a pretty big absence from Hong Kong's Golden Bauhinia Awards? It was Derek Yee's Protege - the film had only one nomination (for music), but it somehow made the award's 10 Best Chinese Film list. The list is as follows:

Protege, The Postmodern Life of My Aunt, After This Our Exile, Exiled, Crazy Stone, Still Life, Isabella, Election 2, Battle of Wits, and Curse of the Golden Flower. Where's Exodus, the film that got the most nomiations?

Source: Oriental Daily

- The Japanese action flick Midnight Eagle, co-produced by Universal Pictures, will get its premiere in Los Angeles thanks to its Hollywood connections. This is to build momentum for the upcoming American film market, as well as its screening at the Tokyo International Film Festival. For some reason, the trailers I've seen just can't get me excited about this film at all.

- A modest worldwide action star vs. an arrogant worldwide action star. Who to believe? Jackie Chan (that's the arrogant one) wrote that his fight with Jet Li on Forbidden Kingdom was fast and natural and will probably be equivalent to Jesus rising up to save the world. However, Jet Li says that don't get your hopes up and that he and Chan are both getting too old for this shit.

- Stephen Gauger's The Owl and Sparrow won the narrative award at the Asian Film Festival of Dallas. Here is a list of winner from Twitch.

- Mamoru Oshii (Ghost in the Shell) is making a follow-up to his film "Tachiguishi Retsudan" with the omnibus film "Shin. Onna Tachiguishi Retsudan." One of the six films will apparently feature a 17-minute long monologue....with the short film just running 23 minutes long.

- China bans yet another TV show, this time about cosmetic surgery and sex changes. However, the authority does mention that the show contain bloody images, so maybe it was riped for a ban, unlike some stupid talent show.

The Golden Rock - August 23rd, 2007 Edition

- Jia Zhangke's award-winning Still Life finally hit the arthouse screen of Japan. In the 204-seat theater, the film attracted 1811 people and 2.34 million yen in its opening Saturday and Sunday. With 5 shows a day, that's 181.1 people per show, and apparently all shows on Sunday (except the last one) were sold out. I never knew Jia Zhangke had that many fans in Japan.

- Some reports are reporting that two stations under the Japanese satellite TV provider SkyPerfect TV has been ordered to pay copyright owners of some Chinese dramas because they were shown without any permission or compensation. However, those two stations are actually revealed to be China-based TV stations, not Japanese.

- Eiren, or the Motion Pictures Producers Association of Japan, have started a Japanese movie database containing information on all Japanese films made after the year 2000. Don't worry, they're working to make an even more complete database in the future. The only problem is that the database is in Japanese, so no luck to my fellow foreign Japanese film fans.

- the first teaser for Lee Myung-Se's M is up, and while it looks really beautiful (shot in digital?), I'm always afraid of films that look beautiful because they turn out crappy (Natural City, anyone?).

- On the heels of the resurgence of local films in South Korea, thanks to D-War and May 18, the upcoming Sookmyeong is now the most expensive distribution deal for a Korean film to Japan this year. Don't pop the champagne open yet, though, its US$2 million price tag is only half of what Korean films got at the height of the Korean wave in Japan.

- To complete a trifecta of Korean film news, Kaiju Shakedown introduces an overdue Korean film about cooking.

- After Wild Mama, there's another dubiously named character-based drama coming this fall. This time it's Mop Girl, which is about exactly what the title suggests.

- Despite being reported this week, the badly named Zhang Ziyi/Jang Dong-gun starrer Laundry Warrior has not been shooting since May because Jang is injured, and Zhang is already off shooting the new Chen Kaige movie. However, the star of Chen Kaige's film Leon Lai is off shooting the latest Chang Siu-Tung film with Kelly Chan and Donnie Yen, so who's where?

- Under "films we don't really care about" today, some Asian actors has joined the cast of The Pink Panther 2, where they will most likely just play some type of Asian stereotype.

- The complete lineup for the Toronto International Film Festival is out, but it's way too long for me to pick out what's worth mentioning, so I'll leave that to you all.

- Taiwanese New Wave director Edward Yang, who recently passed away, will receive the Filmmaker of the Year award at the Pusan International Film Festival. There will also be a retrospective of Yang's films as well.

I don't like to pimp out the new Spin-off blog, The Golden Gate Meets The Lion Rock, but I just wrote a brief review of Alexi Tan's Blood Brothers there, so check it out.

The Golden Rock - August 22nd, 2007 Edition

After a slow news day comes a really busy one.

- As usual, let's look at Japan's Oricon charts. During a slow week for the singles chart, veteran pop star Kazumasa Oda tops the chart with his latest single, selling just over 48,000 copies. With this, Oda now has the dubious honor of being the oldest artist to have a number 1 single at 59 years and 11 months old. Meanwhile, pop group Tokio follows closely at second place with 45,000 copies of their latest single sold, and the latest million-seller Sen No Kaze Ni Natte is still on the top 10 at 6th place with another 23,000 copies sold. Expect a more active singles chart next week, with Aiko's latest expected to take the top spot.

On the album chart, Hideaki Tokunaga (whom you might remember for giving a borderline-creepy cover of Mika Nakashima's Yuki Na Hana) takes the number one spot with his latest cover album, selling 115,000 copies. However, the two Zard compilations (as in a way to cash in on fans' grief by charging them double for songs they probably already have) sold a combined 175,000 copies for second and third place, respectively. Next week, expect Tokunaga to take the top spot again, but with the usual drop in sales.

- In Chinese box office, Alexi Tan's Blood Brothers opened quite well, with its opening gross being 104% of Flash Point's opening 2 weeks ago. Then again, Flash Point's gross actually went up in its second week, which is not looking like it will happen to Blood Brothers. Oh, if anyone cared, Alfred Cheung Kin-Ting's Contract Lover starring Richie Ren and Fan Bing Bing opened with one-third of Blood Brothers' gross, although I have no idea on how many screens it opened.

- Ang Lee's Lust, Caution continues to prepare for its invasion of arthouses around the world with yet another film festival slot, this time as the opening film at Turkey's Eurasia Film Festival.

- I was hoping to be the first to break this, but both Kaiju Shakedown and AP News beat me to it. Anyway, according to the not-very-credible Oriental Daily in Hong Kong (still the best-selling newspaper though), Fruit Chan confirmed that he will be making "Kowloon City," a film produced by Terence "John Woo's right-hand man" Chang about two young martial arts students that immigrated overseas during the 50s. One of them happens to be Bruce Lee. Chan is considering a wide talent search for his Bruce Lee, and would even abandon the project if he can't find a suitable actor for the role.

- At this year's New York Korean Film Festival, a panel of directors and scholars will sit down and once again discuss whether the Korean Wave is dead. I'm almost sure the answer will be "no, but __________"

- Warner Brothers, who dipped into Asian film in Taiwan and Japan, will now attempt to break into the Indian market with the film Made in China. Before you think it's a satire on Chinese exports, the film will actually take on a crappier storyline about a cook mistaken for a martial arts hero.

- After Paris Je T'aime got me all hot for omnibus films about cities, I've been looking very very forward to the Michel Gondry/Leos Corax/ Bong Joon-Ho omnibus "Tokyo!" Now it's been revealed that Yu Aoi and Teruyuki Kagawa will be starring in Bong's short, about a shut-in that falls in love with a pizza delivery girl.

- I've seen the trailer for Peter Chan Ho-Sun's The Warlords at almost every movie I've been to so far in Hong Kong, but I somehow can't really get too excited about it. I know, it has Andy Lau, Takeshi Kaneshiro, AND Jet Li, plus a whole lot of killin', but I don't know how many more big-budget period epics I can take. Looking at how mediocre Curse of the Golden Flower did around the world, I'd say even the rest of the world are kind of tired. That's not stopping Chan from rushing to finish his film and show it somewhere to get it eligible for a best foreign film Oscar, though.

- The two winners of the Chinese film competition are going to Hollywood to meet studio executives and visit film sets. I can't wait to buy pirated copies of their movies.

- There isn't much details, but a live-action version of the Studio Ghibli classic Grave of the Fireflies is in the works. Like all the versions of the story, this will be adapted from the original pseudo-nonfiction novel and be very very depressing.

- I never thought it would happen, but a program by Hong Kong's TVB actually got nominated for an international emmy award. No, it's not for a drama, but for a news programming, which is probably what TVB is best at anyway.

- I won't be translating the whole thing, but there's a Chinese review of Walt Disney China's The Magic Gourd on the Chinese movie blog (what the shit is a gourd anyway?). Essentially, the review compares the film with an educational fantasy fairy tale for children, and that it does what it intends to do effectively. Basically, it's not all bad, it's just....you know, for the kids.

The Golden Rock - August 21st, 2007 Edition

A really slow news day today, so this entry is mercifully shorter than usual.

- The Japanese box office numbers show that the weekend match-up between Ocean's 13 and Harry Potter was much closer than I thought. Despite Ocean's 37 % drop (in comparison to Potter's 27%), the difference between the two films were only a little more than 2 million yen. Nevertheless, Ocean benefited from the holiday week, with 1.75 billion yen already in the bank. Plus, both these films are released by Warner Bros., so they win either way.

Like everywhere else it played, Ratatouille is holding on based on word-of-mouth, losing only 7% of its business from last weekend. The biggest drop again goes to the latest Naruto movie. Meanwhile, Isao Yukisada's latest Into the Faraway Sky failed to attract audiences based on Yukisada's name alone, making only 26 million yen from 121 screens.

The only opening that made it to the top 10 is Fumihiko Sori's animated film Vexville. On 181 screens, the film only made 42 million yen. That's only 66% of Fumihiko's producing effort Appleseed's opening. However, the film has been sold to 129 countries for distribution, so I'm sure these guys will make their money back.

- A bit outdated, but Stephen Chow's latest is no longer called A Hope, but CJ7, which would be a more literal translation from the film's Chinese name, which i have no idea how to type in pinyin.
- Aya Ueto is going to be playing her first role as a mother in the fall Fuji TV drama Wild Mama. Apparently she will be a stepmom that argues with a lot of people. How does that make good TV again?

- In an effort to make you look more forward to the awards and not concentrate on its redundancy, the Asia Pacific Film Awards (to take place in Australia, not Asia) has just completed a complementary program featuring interviews with a lot of big-name Asian directors. Well, at least big names to me, alright?

- Any amateur game developers now have a new goal to reach - a win at the Amateur Division of the Japan Game Awards.

- Major South Korean entertainment firm Sidus (and I say major because I see its logo quite often) is penetrating the US market by buying a slice of Asian-American-targeted cable network Imaginasian TV. This means expect more Korean entertainment on American cable television, and that ain't bad.

See? mercifully short.

The Golden Rock - August 20th, 2007 Edition.

If you haven't noticed the link section by now, I now officially announce the opening of The Golden Gate Meets The Lion Rock. As I wrote in the first post, this spin-off blog is a result of a realization that the daily The Golden Rock entries are getting way too long. I will move all movie reviews and general Hong Kong observations into that blog, so expect reviews of some of the films I've seen here in Hong Kong and probably better pictures. Either way, it'll be fun.

- If these stats are right, it was a pretty busy Sunday at the Hong Kong box office. Pixar's Ratatouille pulled a surprising victory over Jackie Chan's Rush Hour 3, making HK$1.07 million on 33 screens, passing the HK$20 million mark after 18 days. While Rush Hour 3 won Thursday, its weekend bump wasn't enough, making only HK$1 million on Sunday for a 4-day weekend total of just HK$3.52 million. Then again, a few people at the screening I went to (out of a meager 15 or so) seemed to have enjoy it. Maybe they were high. The other opening film of the weekend, Walt Disney China's The Magic Gourd, rebounded from its weak Thursday opening for a Sunday gross of HK$310,000 from 16 screens for a 4-day total of HK$840,000, ensuring that the film will indeed pass the HK$1 million mark. I walked by one of the theaters showing it on Sunday, and the monitor showed that the film was actually at at least 80-85% capacity, so I'm not surprised it did so well that day.

As for returning films, The Simpsons Movie leads the pack with HK$700,000 on 36 screens for an 11-day total of HK$8.07 million. It should pass the HK$10 million mark this coming week, especially for a cartoon that I've never seen shown on HK television (is it on HK television? Let me know). The Bourne Ultimatum managed to retain some word-of-mouth and rebounded on Sunday with HK$550,000 on 30 screens for a HK$6.88 million 11-day total. Another action film getting word-of-mouth but still being pushed out is Wilson Yip's Flash Point (which I will review on the spin-off). Screens are dwindling down, and a lot of exhibitors are only showing this three times or less a day, but it still made HK$460,000 on 28 screens for a 11-day total of HK$7.35 million.

- Holy shit, this D-War thing is getting crazy. After its third weekend, the dragon-in-LA blockbuster has now accumulated 7.45 million admissions and is now the 7th biggest film of all time in Korea. the "historical" film May 18 ain't doing so bad, either, with over 6 million admissions already. With Korean films taking the top 4 spots this weekend, does that mean local films are making a comeback, or just a weakening Hollywood lineup?

- We won't have any numbers for Japan until tomorrow, but admission rankings shows Harry Potter overtaking Ocean's 13 to become number 1 again. Under "disappointing openings" today, Fumihiko Sori's Vexville opens at 9th place.

- In a brief roundup of drama ratings, Papa To Musume No Nanakakan wrapped up on Sunday with a 14.5 rating after scoring a season-low 11.9 rating last week. In the end, the Freaky Friday-clone scored an OK-average of 13.9, making it the 4th highest-rated drama of the season if things hold up. Meanwhile, the highest-rated drama of the season title was between First Kiss and Hana Zagari no Kimitachi he, but both are suffering from season-low ratings. Actually, everything is suffering from falling ratings, but Hana happened to have started high enough to stay on top.

Lastly, Sushi Ouji, the drama that had such high expectations that a movie was greenlit before the drama even began airing, has fallen to a 5.9 rating in its 4th week after premiering it with an 8.8. Who do they exactly expect to see the movie now?

- Wow. Sonny Chiba's directorial debut is set to be released this Friday, and I had no idea. Oyaji stars Sonny Chiba as a loving father who dies in a family that ends up tearing his family apart. However, he suddenly returns the life, and I guess kicks a lot of ass with a shovel. It'll only play in one Tokyo theater for one show a night, but it actually looks pretty good. Hell, I'll buy an advance ticket just for that lighter.

And yes, I realize from the trailer that Chiba is only co-directing it, but I would guess that applies to scenes he's not in, so that makes it a pretty big deal.

- Vietnamese-French director Tran Ahn Hung (Cyclo) is working on a new film, and it actually features a pretty major Panasian cast. I know Josh Harnett isn't anything exciting, but it also features Shawn Yu (an actor I'm coming to like more and more), Lee Byung-Heon, and Japanese drama king Kimura Takuya. The story doesn't sound that good, but I can't help but hope for the best.

- And they wonder why Hong Kong people can't accept Mainland Chinese movies. The chairman of China Film Group was reported saying that China needs more films that promote nationalism and are "ethically inspiring." The quote that pissed me off the most? "'The reality of this country's economic reforms is that the country, the race, is prospering...There can't be anyone who makes fun of it. People who do either have ulterior motives or they're mentally challenged'" He really sounds like an American right-winger when he says that; maybe he should move to the American South and let the people who know what they're doing (i.e. the filmmakers) do their jobs.

- Hell, even Jet Li is pissed at the way movies work in China. After attempting to make movies with positive messages that still fail to get into China, Li is speaking out about his annoyances.

- In a related note, Zhang Ziyi will star in a movie called Laundry Warriors.

- The US trailer for Johnnie To's Exiled is up from Magnolia Pictures, and they sure make it look better than your usual Hong Kong action film trailer. Still, what's up with all the shots of the girl in her underwear? Those are all from the same scene.

- The India film industry not-so-politely ask you all to stop calling their film industry Bollywood. And I politely ask them to stop remaking movies and just add sing-and-dance scenes into it.

- They're so in love! While Wilson Yip's next film is a co-directing effort that puts Donnie Yen as a horror-action hero, they're already working on their film after that. What's scary is that Yen will play Wisely, a legendary modern literary character that one can compare as the Sherlock Holmes of Hong Kong - but with supernatural aspects. In case you don't know, the last Wisely movie was Wesley's Mysterious Files. Now I know what kind of expectations to put on this.

- There's a review for one of this year's major Japanese drama adaptation films Unfair: The Movie. Caution, it does contain some spoilers, including one major plot twist.

- Chinese audiences are in love with contrived reality, as the reality gimmick show Wife Swap is a hit. And yet they're not allowed to watch Chow Yun-Fat play a Singaporean.

- This remains unconfirmed, but Pang Ho-Cheung, whose award-nominated Exodus is coming out next month, will be producing with Chapman To on a new film after the critical success of Isabella, the first film under their production company. This new film will make up 8 stories of different genres (all to be directed by Pang?) and its initial cast list include Chapman To himself, Edison Chen, Shawn Yue, Isabella Leung, and Gillian Chung.

Source: Oriental Daily.

The Golden Rock - August 18th, 2007 Edition

- Under "where did this movie come from?" news today, director Derek Chiu Sung-Kei is actually working on a new film called Brothers that reunite four of the five TVB Tigers from the 80s (they were previously in a film called....The Tigers in 1991). This time, Tony Leung is the missing one. Some has rumored that it's because his salary is too high, which doesn't make sense because I suspect Andy Lau's asking price would be just as high, and the official excuse is that Leung couldn't be in it because of the schedule. Who's replacing the role meant for Leung? Eason Chan. I think I hear some collective groans, but I remain optimistic.

By the way, the five TVB Tigers were Andy Lau, Tony Leung Chiu-Wai, Miu Kiu-Wai, Felix Wong Yut-Wah, and Ken Tong Chun-Yip.

- For those in Japan that wanted to see Quentin Tarantino and Robert Rodridguez's Grindhouse films in their original double feature form, the U.S. version will be playing for a week in Tokyo and Osaka start August 24th. Those that want to see the director's cut can wait until next month. Don't think you're saving money watching the double features - they're charging 3000 yen, or the price of two student tickets, for the 3-hour film.

- Speaking of Hollywood in Japan, it's no secret that Japanese films have been doing worse than last year at the local box office. Thanks to that, Hollywood films have taken back the reins, with box office for Hollywood films in Japan up 22% from the same period last year. On the other hand, the box office for films by the Japanese big 3 is down 13%. Ouch.

- Sadly, some of the biggest films of the year have been drama adaptations such as Unfair the Movie and Monkey Magic. In addition to Hero with Kimura Takuya in September, now we have Hana Yori Dango coming to a big screen near you next summer. To retain objectivity, I shall avoid cursing and hoping for the film's failure, because we know that just won't work. The least I can hope is that it won't offer scenes such as this.

- Opening this weekend in Japan is the animated film Vexvile, the latest by Fumihiko Sori (who directed the live-action Ping Pong and produced the cult favorite Appleseed). It looked pretty promising, but the review in Japan Times by Mark Schilling might change my expectations a bit. Still, one negative review won't stop it from getting its distribution rights sold to 129 countries.

- Yesterday's Hong Kong newspapers offer a second full-page ad for the Wong Jing/Eric Tsang-produced remake comedy Beauty and the 7 Beasts. In addition to the femme fatale Meng Yao (whom the poster describes as a cross between Ti Na and Miriam Yeung), the "seven beasts" will be Eric Tsang, Nat Chan, Gordon Lam, Eddie Cheung Siu-Fai, Chin Kar-Lok, Lam Chi-Shin, and Wong Cho-Lam. We can expect this soon-to-be-appreciated-only-in-Europe masterpiece by the mid-autumn festival, which is around the end of September. What we don't know is how many people will pay to watch it. Well, that's at least one here......

- They're break-dance fighting! MTV China is teaming up with an Italian apparel company for a reality show that would give the best dancer in China an all-expenses-paid trip to go meet Justin Timberlake. To show the amount of quality expected from the show, Edison Chen will be one of the on-air commentators.

That's it for today. Expect some (relatively) good news from Hong Kong films tomorrow, and some other stuff, I guess. In case someone happens to be reading out there.

The Golden Rock - August 15th, 2007 Edition

- Let's start today with the Japanese Oricon charts. The singles chart was pretty packed this week, with 17 of the top 30 singles being new releases. Leading the pack is Johnny's Entertainment pop duo Takki and Tsubasa with their latest single, selling 57,700 copies to get the number 1 spot. The rest of the chart see fairly weak sales, including Leah Dizon's 3rd single all the way down in 16th place, selling only 12,500 copies. However, that could be due to the announcement of the release of her debut album for next month, meaning fans can wait a month for their 14-track studio modified fix of Dizon's singing. Expect next week's sales on the charts to be pretty low, with Tokio and Kazumasa Oda vying for the top spot.

The album chart is even quieter, with Sukima Switch's compilation album still ruling the charts with another 145,000 copies sold. The two Orange Range compilations continue to sell strongly, with a combined sales of 73,000 copies to take second and third place. Def Tech member Micro's debut solo album only sold 33,000 copies for a 4th place debut, and looks like band Greeeen's hit debut album will finally drop from the top 10 next week. Next week, the profit from the death of the pop artist Zard continues as two compilations will share the first and second spot.

- They keep reporting it, and I keep linking it. Korean distributor Showbox announces that dragon in LA film D-War has now officially become the 10th best-selling Korean film of all time, proving again that cinematic quality doesn't necessarily have a correlation with financial success. Also, Korea Pop Wars report that the success of the film might be going over the head of director Shim Hyung-Rae a little bit.

- The Thai horror film Alone, which was a minor hit in Korea last month, is coming soon to Hong Kong, but not without its controversies. The TELA (these guys again!) said the trailers and posters are too disturbing for public display, and has forced the distributors to cut and silence the trailer for theatre lobbies, as well as changing the posters.

Then again, the original trailer, which is now cut in all its forms, was pretty disturbing.

Original Chinese report

- I can probably link any site for this report - the lineup for the upcoming Pusan Promotion Plan, where filmmakers take their upcoming projects to meet with possible financiers, has been announced. This year, we have high-profile filmmakers (i.e. those that I've heard of) such as Fruit Chan, Hong Sang-Soo, Sono Sion, and Daniel Yu.

- Chinese auteur Jia Zhangke, who has made a string of films that were banned by the government before straightening up, sees his latest film Tattoo Age shelved because of the sensitive subject matter of the Cultural Revolution and they were unable to cast Asian superstar Jay Chou in a role. Jay Chou in a Jia Zhangke movie? He sure has come a long way from Xiao Wu.

- Speaking of ultra art films, Variety has a review of Locarno Film Festival winner The Rebirth (Ai No Yokan)

- In China's never-ending attempts to please the foreigners about intellectual copyrights before the 2008 Olympics (how can a country that held a huge ceremony to celebrate the one-year countdown to the actual opening date not be excited about it?), the government will look to shutting down websites that allow illegal download of copyright materials, which would give them an excuse to go after those banned books too.

- Johnnie To and Lau Ching-Wan are teaming up for a long-awaited dramatic effort that I predict will probably be loved by film fans, but not make much money. Sorry, Lau Ching-Wan, as much as I love him as an actor, actually isn't that great of a box office draw....neither is Andy On and Kelly Lin.

The Golden Rock - August 14th, 2007 Edition

- The Japanese box office numbers are out, showing that Ocean's Thirteen opened fairly well with 496 million yen, and Transformers dropping 36.5% in its second week, which again is somewhat surprising considering how well it has done with word-of-mouth elsewhere. Of course, its drop to third place is also because Harry Potter dropped only by 7% to keep its second-place spot.

However, the biggest drop in the top 10 goes to the latest Naruto movie, which lost 47% of its audience, while the smallest drop belongs to - and I'm almost kind of sad to say this - Monkey Magic, which lost only 3% of its audience to make 2.98 billion yen total, inching ever closer for Fuji TV to break even.

- According to Mark Russell's Korea Pop Wars, turns out D-War is actually close to getting 5.71 million admissions and has already passed the break-even point at the standards of the reported budget.

- My new favorite weekly feature these days is the Teleview column on the Daily Yomiuri website. This week, writer Wm. Penn writes about what's on Japanese TV this week and a possible ratings crisis on stations' hands.

- And yet, Japan are still rolling out one drama adaptation film after another. The latest is the hit Kimura Takuya drama Hero, and a trailer is floating around online. Honestly, it's not doing much for me, but that's because I've never seen Hero.....Oriental 188 Mall, here I come.

- My bad. I totally forgot to acknowledge that Grady Hendrix's informative Asian cinema blog Kaiju Shakedown is back, and in a much more complicated link. The link section shall be updated. Anyway, Grady reports today that Hong Kong video distributor Mei Ah's remastered version of Patrick Tam Ka-Ming's Nomad is actually not the director's cut, and that the "corrected" version will be out in 2008.

- After a Tokyo multiplex found success with weekly showing of Korean star Bae Yong-Joon's dramas, a smaller independent theater is doing the same with Korean star So Ji Sub's Choa Choa (is that the real name? Or just the Japanese name?). If this is a success as well, then looks like the Korean wave isn't so dead after all in Japan.

- The Japanese song "Sen No Kaze Ni Natte," based on an English poem found at the World Trade Center in New York, has finally sold one million copies after becoming a huge hit the first half of the year.

- I don't know if this can be considered a compliment to someone that's already been in the business for 20 years - Director Peter Chan Ho-Sun said his biggest surprise from making the period action film The Warlords is Jet Li's dramatic acting ability. Actually, that moment came for me while watching Fearless.

- I'm going to make a small private confession - I consider my most creative time in terms of scriptwriting to be right after I got dumped by my second girlfriend. During that period, I actually wrote 3 or 4 short film scripts, none of which I ended up making. I mention this because Kazuaki Kiriya, better known perhaps as ex-Mr. Utada Hikaru, seems to be going through a similar thing. Not only is he currently shooting a Japanese film, it's actually confirmed that he also have his Hollywood debut lined up.

- In casting news today, Koyuki, whose most famous role is in The Last Samurai, has signed up to for Blood: The Last Vampire alongside Jeon Ji-Hyun (to be credited as Gianna Jun). These international Pan-Asian co-production in English just don't seem to turn out very well (Dragon Squad, anyone?), so I don't expect much.

Meanwhile, the television remake of Akira Kurosawa's High And Low has signed up high-profile young actor Satoshi Tsumabuki as the kidnapper.

- The United States government's bullying continues, as they have asked the World Trade Organization to put together a panel to settle their complaint against China over piracy of their films. Just what exactly are they expecting the Chinese government to do, ask for a couple of bucks from every Chinese citizen to pay off the MPA?

Oh, they want to work bilaterally, so that means they want to actually go into China and take down every single pirate vendors themselves.

- One place America doesn't need to go to is Shenzhen, where crackdown on pirate vendors have caused the number of vendors to go from 1,000 to 50 in the last few years. Is that enough result for you, America?

The Golden Rock - August 13th, 2007 Edition

The Golden Rock is back, around the same size and hopefully the same quality. Now reporting from Hong Kong, posting times will naturally be different, but hopefully still daily.

- As always, let's look at the Hong Kong Sunday box office. Pixar's Ratatouille has a very strong second weekend, making HK$1.63 million on only 34 screens for a 14-day total of HK14.81 million already. This should have no problem getting past the HK$25 million mark set by The Incredibles. Meanwhile, the three opening films opened neck-to-neck, with The Simpsons Movie (whose Hong Kong dub version features Josie Ho, Wyman Wong, Denise "HOCC" Ho, and pop star Ivana Wong) leading the pack, making HK$1.24 million on 37 screens for a 4-day total of HK$3.92 million. While The Bourne Supremacy is in third of the three films in total 4-day box office (HK$3.8 million), it was just under The Simpsons with HK$1.1 million on 31 screens. This means Wilson Yip's Donnie Yen lovefest Flashpoint made HK$1.01 million on 33 screens, but did better overall this weekend with the 4-day total of HK$3.89 million(although this actually include the HK$200,000 from previews last weekend). With fairly positive word-of-mouth amongst Hong Kong moviegoers, this should cross the HK$10 million mark.

Don't count those leftover films out, though. Transformers is already near the HK$35 million mark after 18 days by making HK$940,000 on 34 screens; Jay Chou's Jay Chou lovefest Secret actually continues to hang on (probably thanks to the Jay Chou fans) with HK$640,000 on 31 screens (Variety Asia reports its box office success elsewhere in Asia here); even Harry Potter made HK$230,000 on 17 screens for a 33-day total of HK$49.98 million. Invisible Target, which pretty much got pushed out of theaters, looks to end its run with HK$13.19 million. All in all, this was a pretty huge weekend at the box office, which was probably helped by the passing typhoon and just generally crappy weather.

- In Japanese audience rankings, Transformers got pushed all the way down to third place for its second week by Ocean's 13 and Harry Potter, which is somewhat surprising because it's done so well with word-of-mouth elsewhere. Ocean's 13 is the only new film in the top 10.

This week, Hideo Nakata's Kaidan dropped from 8th place to 10th place in its second week, meaning that despite being somewhat well-reviewed, it'll go away quickly amidst the late-Summer box office. It's also the only adult-oriented Japanese blockbuster this summer. Kaidan's opening is only 51% compared to the star's last film The Murder of the Inugami Clan
and only 81% of Nakata's The Ring 2 (although I don't know why Eiga Consultant chose to compare with that). Looks like summer is just not the time for this type of films.

- In the Korean box office, D-War wins its second weekend with a total 5.06 million viewers already after a roughly 50% drop in attendance. Don't count May 18 out, though, as it has already attracted over 4.5 million viewers. These two films have already surpassed Voice of a Murderer as the two best-grossing Korean films of the year.

- While it's cool that the American animated series Afro Samurai will see all 5 of its episodes in Japanese theaters, the cooler part of this report is that Samuel L. Jackson will be in a planned live-action version.

- Under "This cannot be good" news today, Eric Tsang (a producer that can be said to have pretty low taste - look at what he did to the ending of Men Suddenly in Black 2) is teaming up with Wong Jing (an even cheaper producer who's intelligent but makes movies of low taste and lack of originality - look at all of his movies) to remake the 1970 film The Seven Colour Wolf (I can't confirm this English title because of the Yesasia name for it. Can anyone?), with Chung Su-Kei (who has made shit like Feel 100% 2003 and Nine Girls and a Ghost) taking the director's seat. No word yet on who will star, I believe.

- Again, an artsy Japanese film that drove audiences away has taken a major award at an European film festival. Masahiro Kobayashi's The Rebirth won the top award The Golden Leopard at the Locarno Film Festival. However, with two Asian films taking the top prize, the festival is apparently moving into the elitist artsy film festival that is drawing less interest from buyers.

- The Hong Kong entertainment news programs have been reporting for several days about Chung Siu-Tung's latest period martial arts film (another one?!), this time with Kelly Chan in her first period role in a long time, Leon Lai, and Donnie Yen. It's not very likely, however, that Yen will go topless in this one.

- In China, people are so insistent on seeing movies illegally and for free that they're moving off the streets and into internet cafes.

- Under "who died and made him boss?" news today, Jackie Chan says that he hopes to finish the animated film Taiwanese director Edward Yang started working on for years before his death. Then again, the film IS based on Chan's life, so I guess that would make him the new boss.

- Lastly, two major Thai directors are planning on developing the country's first script development project, taking on 30 aspiring screenwriters on workshops and pitch meetings. This could, in the long run, breathe new life into the slowly-expanding Thai film industry.

Song of the Day will return some time this week, and expect something new with The Golden Rock this week as well.