It's all money, baby

- Can't believe I missed out on these two reviews out from Berlin yesterday on Variety-

A disappointingly short review of Japan's Sakuran, whose most exciting aspect is the music from a personal favorite artist of mine, Shiina Ringo.

A very positive review for the new Milkyway film Eye in the Sky, directed by longtime Milkyway screenwriter Yau Nai-Hoi (with some assistance from Johnnie To, I'm sure). Does anyone know when this opens in Hong Kong?

- Variety also reports that John Woo's epic extravaganza "The Battle of Red Cliff" have not only increased its budget to US$75 million (making it by far the most expensive Chinese production ever - the previous record holder Curse of the Golden Flower costs a comparatively minuscule US$35 million), but Woo has also decided to split the Asian version of the film into two 2-hour films while the non-Asian version will be 2 and half hours long. Yikes.

- US weekend numbers are out, and Eddie Murphy's contract with the devil is seemingly still in effect as Norbit hits number with an estimated $33 million, making it the best opening for a film so far this year. Meanwhile, Hannibal Rising scores the franchise's second-worst opening with only an estimated $13.3 million. Honestly, they already milked it for all its worth with the mediocrely-directed Red Dragon, what else did they expect?

Meanwhile, The Pangs' The Messengers drop about 50%, Letters From Iwo Jima drops a very small 3%, even though it had a screen increase, and the German best foreign film contender The Lives of Others, which I should be watching next week after it opens here in San Francisco, has a fairly strong opening on 9 screens with a $24,777 per-screen average.

Tomorrow: Hong Kong numbers, and Japanese drama ratings.

Limping through the weekend

Most of the major film blogs (understandably) don't write on weekends, but I figured I should capture that niche of weekend blog writing, so here I am.

- Mostly reviews today.

The long-delayed Korean "blockbuster" D-War by Derek Elley, who describes the film as "the most expensive cult movie on DVD."

Park Chan-Wook's "I'm a Cyborg, but That's OK," which I don't care what anyone says, I'm looking forward to it immensely.

Yoji Yamada's third film in the "Samurai Trilogy," "Bushi no Ichibun" (or known internationally as "Love and Honor."), which I look forward to reluctance because I'm not much for quiet samurai films, but I liked "The Hidden Blade," so there.

This issue of Entertainment Weekly also provided a review of the Infernal Affairs trilogy (which is finally seeing its region-1 release thanks to the release of "The Departed." It's not on the EW website yet, so here are some quotes:

"(The two follow-ups) were produced and released within nine months of the original, with equally convoluted plotting - so whatever they're putting in the coffee, can we import some? The first Infernal plays like The Departed on fast-forward; you get dozens of scenes nearly identitcal to Scorsese's...Affairs 2 is a decent prequel (just decent?) that downplays its dueling moles while filling in an epic mod-war backstory. The more intimate finale...prepare to be baffled about why key players get whacked, and whether to cheer or cry."

Infernal Affairs gets an A-, 2 gets a B, and 3 gets a B-. Personally, I would've given 1 a B/B+(I can't stand MTV-style overdirecting, and the contrived female character in Sammi Cheng), 2 an A, and 3 an agreeable B-, but I don't write for EW, so there.

I saw Pan's Labyrinth yesterday. It's a harrowing fantasy mixed with a brutal (and I mean BRUTAL) war drama. It's hard to decide what to think of it; it is a towering achievement for Guillermo del Toro, as this is now my favorite film of his (but I've only seen Mimic, Blade 2, and Hellboy, and wasn't terribly impressed by any of those), and the fantasy stuff is great. But the intense violence will literally scar people for life (I rarely resort to closing my eyes in the theatre, but that's what I did at one point), and the tragic conclusion perhaps takes things a little too far. Nevertheless, it's an involving and beautifully realized piece of filmmaking.

- Some trailers: One for Julie Taymor(who directed the awesome Titus)'s new musical Across The Universe (one of the more overlooked Beatles song that I know), a teaser for Ocean's 13, which I think a lot of people have seen by now, and one for the interesting French comedy The Valet.

These trailers are the high-res versions, if you want to watch them in HD, go to Dave's Trailer Page for them.

- MonkeyPeaches reports that Jia Jiangke's film Still Life, which was shot and projected in Hong Kong in digital, was taken out of the Hong Kong Film Award best Asian film race because the award has a rule that stipulates films must be shot in 35mm. According to vice-chairman director Gordon Chan, the rule is to "protect movies" and that they are aware that more and more films are being shot in digital but they are "not ready to include them." In other words, they're trying to protect high-budget blockbusters produced by the committee members' (quite a few of them producers and filmmakers themselves) bosses so they can get their next films funded. I'm not a fan of Jia Zhangke at all, and I don't mean to be on a personal attack mode, but the man who made this movie shouldn't talk about protecting movies anyway.

It's Fincher's Zodiac....finally

I was very very disappointed at Paramount's absurd decision to open David Fincher's Zodiac (which I'm hoping to be the American version of South Korea's Memories of Murder. If Fincher ever claims that he was inspired by it, I would be delighted with glee, but anyway, I digress) after the Oscar-qualifying period. Then again, I was a little afraid that maybe it just wasn't that good.

But now my fears have subsided, because Jeffery Wells has posted a soundingly positive review, and since this was the first guy to stand up for Babel when it showed at Cannes, I just have to place some faith that it will kick as much ass as he says.

Meanwhile, go check out Memories of Murder, it's THAT good.

Because I'm ready for a break

It's Friday, so let's make this quick for everyone:

- Berlin's English newspaper Exberliner has a rather nonsensical blog about the Berlin Film Festival, which will run until the 18th. It seems to be written with such verbal vomit and nonsensical run-on sentences that I wonder if the writer is rather...influenced when he writes it.

For example: "When placed in comparison to the drudgery of my aging hipster lifestyle, the disease-filled, whorehouse-circus, heroin-blindness sufferings of La Môme’s Edith Piaf appear utterly galvanizing. And of course: an artist's myth is more than just the vibration of talented muscle. Why is my life so insufferable when my father could be a contortionist? Wait, my father is a contortionist….anyway, the tears that streamed from my eyes during the first third of the film were neither entirely the result of the artistry of the filmmaker, nor the girth of the journalist sitting next to me."

Maybe my English really sucks, but....what?

The blog is worth reading anyway, as it does offer some perspective about the festival and the films, and it's right here.

- The new internet-only trailer for Hot Fuzz, from the makers of Shaun of the Dead, is out, and it's special because it was edited by director Edgar Wright himself. There's nothing new to see, but looks fun nevertheless.

- Hong Kong Thursday box office numbers are out, and it's indicating a weak weekend. But that's only because the big lunar new year films are all rolling out next week, starting with advance screenings for Charlotte's Web and Night at the Museum throughout the weekend, then Derek Yee's highly-anticipated Protege opens on the 13th, then Ronald Cheng's directorial debut (I feel a bit of vomit saying that after watching the trailer in Hong Kong) It's A Wonderful Life and the equally awful-looking Twins Mission (the title screen looks like a bad 80's adventure film. Maybe it's a homage!) opens on the 14th, and the two Western films see their openings on the 17th and the 15th, respectively. New Years (as in the official holiday) is on the 18th, so expect box office updates throughout next week.

Oh, Thursday numbers can be seen here. Expect the advance screenings of Charlotte's Web and Night at the Museum to dominate the weekend.

- Cannes has enlisted the past winners of the Palme d'Or to each make a 2-3 minute short film for the festival's 60th anniversary. The feature film is set to premiere, and will probably never be shown anywhere else, during the festival this May. Asian filmmakers include Wong Kar-Wai, Tsai Ming-Liang, Chan Kaige (who hopefully isn't promising the return on the pimp finger stick), and Hou Hsiao-Hsien are expected to participate.

Source: Variety

- Japanese distributor Shochiku has made a deal with an American producer to remake Yoji Yamada's classic film "The Yellow Handkerchief," with no director named as of now. The original film, based on an American novel, was known as the first best picture winner in the Japanese Academy Awards in 1978. Considering Yoji Yamada is still alive and going strong (making a real actor out of Kimura Takuya in Bushi no Ichibun), and that Ichikawa Kon just remade his own film, why not have him do it? The film will begin shooting in New Orleans in March.

Source: Variety Asia

- Japan's Kansai Television has revealed more false data in their now-canceled hit health show "Encyclopedia of Living." After the much-covered scandal, in which producers gave false data that suggested natto (fermented soy beans that looks like held together with snot) can help people lose weight, setting off a natto-buying frenzy in Japan, now KTV has revealed at least two more cases where foreign experts' testimonies were mistranslated on purpose.

I always approach these shows with caution myself, especially when they show these interviews, they dub over the English and show the subtitles of what the voiceover person is saying instead of showing what the experts actually said in English. I hope these scandals now bring greater transparency for these so-called health variety shows all around the world.

Source: Variety Asia

Today I'll be watch Pan's Labyrinth and I'll receive my DVD for the great Paris Je T'aime tomorrow. Yup, it'll be a good weekend. I might even post once or twice.

Johnnie To confuses all, and communists just hate Zhang Yimou

- Johnnie To seems like a far more productive version of Wong Kar-Wai; while he does put out up to two movies a year, he can't seem to decide what to do. News reported that shooting for a PTU TV series have been underway with different directors, but now comes the announcement that Johnnie To himself is going be making 5 films under the PTU series, with one being a theatrical release and the others being straight-to-video releases. He's also in post-production for two films - Sparrow, which he's been shooting on-and-off for a while, and his third of "The Iron Triangle," co-directed by Tsui Hark and Ringo Lam. He's probably shooting three more films we don't know about that has no script, but who cares? He's Johnnie To. As long as he keeps churning out more Exiled than Yesterday Once More, I ain't complaining.

Source: Variety Asia

- Zhang Yimou is always caught between a rock and a hard place. First, his movies kept getting banned because of "subversive elements," now that he appeases to the party, the party bites right back. According to Yahoo News, the Communist Party training academy (what the hell is that anyway?) has publicly criticize Zhang Yimou's Curse of the Golden Flower for leaving a "feeling of nausea that would not go away." They even said "Fine art is not built on money. Good movies are not based on banquets of glitzy scenes and effects, and less so when violence and sex are involved." Maybe they should watch Raise the Red Lantern, or better yet, To Live. Oh, wait, they banned both movies!

Source: Yahoo News

- Jason Gray has put up more news about Beat Takeshi(or Takeshi Kitano)'s new film "Kantoku, Banzai!" (Long Live the Director). It seems both more intriguing and mind-numbling at the same time.

Source: Jason Gray

- More on the Youtube-JASRAC negotiations from Variety Asia. Apparently now Youtube is planning on building a Japanese version of Youtube as well, and is negotiating with companies to put contents on their Japanese site. Good thing they're rejecting JASRAC's request to require users to register their addresses. If you want people to stop infringing copyrights, why not make them available yourself, and make some advertising bucks out of it? This is the country that won't even let users from outside Japan watch the ads for their dramas on the internet, so they probably won't listen to foreigners.

Source: Variety Asia

- It's not really news, but apparently the new Eddie Murphy film Norbit is crappy. Really crappy.

Source: Hollywood Elsewhere

- Apparently Steven Soderbergh is not making only one Che Guevara film, but TWO. I like Steven Soderbergh when he's making edgy mainstream films (that would include Ocean's Twelve, mind you), not experimental art films. Then again, I like Paul Thomas Anderson, so maybe some people out there actually like Soderbergh's stuff.

Source: Hollywood Elsewhere

- I'm gonna keep peddling Khalil Fong's album "This Love" here. For film fans who need convincing, he even did a song named after Wong Kar-Wai's broken-hearted protagonist Su Li-Zhan. Link's here . This is a talented guy, so give him some love by buying the album here.

- A wag of the finger to Joy Sales for their pan-and-scanning of the VCD for Jackie Chan's Rob-B-Hood (yes, a poor college student does have to resort to the VCD these days). It goes from widescreen during the credits to full screen for the opening sequence, then widescreen again for the rest of the credits. Why not just widescreen the entire film like everyone else does? It's not like it costs extra money to leave the widescreen print on, it's already on the DVD. And no, Rob-B-Hood was not shot on Super-35, so don't even start that.

More of the widescreen-vs-pan and scan (also known as "full screen") argument here.

Lastly, I've now gotten hooked on RSS feed, and was looking into how to set one up myself. Turns out a real RSS 2.0 feed is too complicated, and Blogger already set an atom one down at the bottom. So use your aggregator and click on the feed link on the bottom to subscribe. That is, if you are inclined to do so.