The Golden Rock song of the day - 5/30/07

Today's song of the day may be Hong Kong legendary rock band Beyond's most rebellious song, though you probably can't tell that from their fashion and smile-filled introduction. You don't even have to know Chinese to know they're angry - the last lines of the chorus is "We don't need you anymore/go to hell!" Most recently found on one of their many compilation discs, it's "Can't Be Forever."

The Golden Rock - May 30th, 2007 Edition

- Seems like there's a bit of a catfight going on in Hollywood about box office records. Buena Vista/Disney claimed that they scored the highest 6-day global box office opening ever with the latest Pirates movie, beating Spiderman 3. However, Sony has come back out saying that Disney actually opened the film in Italy and France on Tuesday, which makes their count a 7-day gross. Ah, nothing like a Hollywood pissing contest.

And with the media, sometimes you just don't know who and what to believe.

- A small midweek report for the Hong Kong box office. Looks like Pirates failed to reach Spiderman 3's pace with a 6-day total of "only" HK$23.55 million, including Tuesday's gross of HK$1.75 million on 111 screens. I'm making it sound bad, but this is actually still a really spectacular opening.

- The Goal trilogy was supposed to follow a soccer prodigy, from his humble beginnings in Los Angeles, to playing for a major European team, then ending with him playing in the World Cup. So far, the first film failed to break even in worldwide box office, and the second film is following the same path, but the third film is still listed as being in pre-production. According to Eiga Consultant, the second film opened in Japan this past weekend with 49 million yen, or just 38% of the first film's opening. Furthermore, this is distributor Toshiba Entertainment's last release before its merger with another company on June 1st. Will Goal 2 simply go away this weekend? Will Goal 3 even make it to Japan?

- Time for Oricon rankings. This week on the singles chart, we have V6 debuting on top easily with only 68000 copies sold. It also marks the group's 5th consecutive single to debut at number 1. The Otaku crew managed to almost beat the teenage idol-chasing girls, buying up 65000 copies of a single with the words "Sailor Suit" in its title and a few animated high school girls on the cover. The mini-soundtrack for the film Shaberedomo Shaberedomo, featuring the new song by pop duo Yuzu, makes 4th place with almost 40,000 copies sold. Next week may be a little more exciting with new singles by L'arc~en~ciel and Aiko.

Things are also a little more lively on the albums chart, where Mariya Takeuchi's latest album Denim debuts at number 1 with 220,000 copies sold. Not sure if it's a good thing or not, but this debut makes her the oldest female artist to have an album debut at number 1 at 52 years and 2 months old. Beanie K's latest album, which can be seen on the Hongkie Town blog as being promoted quite widely at Shibuya crossing, made 3rd place with 46,000 copies sold. Also, GAM, the girl duo made up of two Hello Project! members, only sold 17,000 copies of their debut album, despite trying to lure male fans with their lesbian-friendly single Melodies (don't worry, it's not the Song of the Day. WARNING: Features lesbian kiss and very bad dancing).

Next week, we may also see ZARD albums making a comeback on the charts following the death of singer Izumi Sakai.

- Japanese drama Liar Game, which has been doing gradually better in the ratings, as well as the satisfaction scores in most age groups, has gotten Fuji TV so excited that they're going to expand the finale to a three-hour special. Most drama finales are only expanded by 15 minutes.

- According to this report in Hong Kong's Ming Pao, Fox has locked down its cast for the Cantonese version of The Simpsons Movie (there's a picture in the report where you can see the actor with the character he/she is voicing). Lyricists/radio host Wyman Wong will play Homer, Josie Ho will play Marge, Denise "HOCC" Ho will play Bart, and pop singer Ivana Wong will play Lisa. According to Denise Ho, the selection process is so tough that she actually auditioned for two female characters and got rejected before she landed the Bart role.

If anyone is curious, there were some reports from the test screenings that happened, and it's sounding pretty good.

- Trailers! Twitch has some trailer goodies for us today.

First, the full-length trailer for Wilson Yip's Flash Point, which seems to be a prequel to SPL, since Donnie Yen is reprising his character from it, at least according to the sypnosis on the website. If you haven't seen SPL, I probably shouldn't reveal anymore. Anyway, the trailer isn't as exciting as the teaser that's been online for a while, but it does show more martial arts than gunplay this time around.

Also, there's a trailer for the John Woo-produced gangster film Blood Brothers by Alexi Tan. Todd seems real excited, but how is it inspired by the era in John Woo's Bullet in the Head when one takes place in 30s Shanghai, and the other in late-60s Vietnam? Well, the trailer looks real pretty anyway.

On the Hong Kong Broadway Cinema website has the trailer for "Mr. Cinema," which I introduced before as "Call me Left." Directed by Samson Chiu and starring Anthony Wong as the title character, "Mr. Cinema" tells the story of a theater projector (at an old-school cinema that's still up and running in my home turf Kwun Tong) and his family over the course of 40 years. WARNING: trailer features Anthony Wong trying to sing.

- John Woo is now attached to yet another movie. Now filming The Battle of Red Cliff, which finally got underway after being attached to several Hollywood films, Woo has signed on to direct and produce "Ninja Gold" for Fox Atomic. Why does he still do this kind of stuff when he could simply stay in Hong Kong and be treated like royalty (though I think he left Hong Kong because he didn't get treated like royalty)?

- Doraemon, or known as "Ding Dong" when I was growing up, is my favorite comic ever. Even though I own every issue that was translated into Hong Kong's Chinese version under the title "Ding Dong" (It was later reprinted under "Do la A Mong," which follows the Japanese title Doraemon), the comic never reached an ending because the creator Fujio F. Fujiko passed away. Over the years, there have been speculations of how the story ended, including one that showed Doraemon was a figment of protagonist Nobita's imagination (which would've really pissed me off). The one I liked was Doraemon's battery runs out and is revived by the adult Nobita, who becomes a scientist to revive his robot cat friend. Turns out that ending was just drawn by a 37-year-old man who drew up this "final episode" and sold it at Akihabara bookstores and the internet. Now he has come out to apologize for the copyright violation and has paid royalties to the copyright holders. So it's official: There IS no ending to Doraemon. That should put the rumors to rest.

- Speaking of paying up, did you know if you live in Japan, you're required to pay every month just to watch public television station NHK? It's not a subscription service - it's illegal to not pay it, since they assume everyone watches it. They literally came to my dorm room asking me for money when I lived in Japan. About two years ago, there were several scandals involving producers pocketing production money, which gave some people an excuse to not pay the fee (me, I just canceled my bank account and left the country without telling them). Since then, NHK has actually brought the worst fee-skipper to court, and now they finally see an increase in people paying up for the first time in years.

- Those who watch this year's hit series "Heroes" may be pleasantly surprised at this: Turns out the ancient samurai the show keeps referring to is the one and only Miyamoto Musashi, possibly the most famous samurai in Japanese history. With the very last scene of the first season seeing time-traveling hero Hiro ending up in 1671 Japan, it should be interesting to see how the show will interpret Japanese history.

- The cast of the latest film by Tetsuya Nakashima (Kamikaze Girls/Shimotsuma Monogatari, Memories of Matsuko) "Pako and the Magical Book" has been revealed, and it has a hell of a supporting cast.

- Hoga News talks about possible casting choices for Martin Scorsese's "Silence," which Scorsese recently confirmed will shoot partly in Japan.

- This month, I reviewed the 1986 film Hwang Jin-Yi, which was recently released on DVD because of the upcoming new telling of the story. Unlike the 1986 film, the 2007 film is based on a successful North Korean novel that tells a fictional account of Hwang's life, filled with .a love triangle and battle scenes. Too bad critics are not treating it very kindly.

- I'm missing it by half a month, but that doesn't mean you should: Hong Kong electronic pop group Pixel Toy (under Anthony Wong Yiu-Ming's People Mountain People Sea record label) is holding a concert in July.

- Lastly, Screengrab has a hilarious deleted scene from Terminator 3 that would explain an awful lot.

The Golden Rock song of the day - 5/29/07

The idea for today's song comes from Miss Japan's victory at the Miss Universe contest. It's the perfect time to use the boy group SMAP to tell all Japanese women that they're beautiful (well, at least all the women that passed the audition). I agree with them too. From their latest album Pop Up! Smap, it's "Dear Woman."


SMAP:Dear WOMAN
Uploaded by DIABOLOS777

And what better way to remind them that than a shampoo commercial? The text says "The women of Japan are beautiful."



Just look at those perfect heads of....hair.

The Golden Rock - May 29th, 2007 Edition

Before we get into the more controversial stuff, let's follow our usual order:

- This is why you want more than one source for box office news. Variety Asia and the Japanese press have been reporting that Pirates of the Caribbean: At World's End actually beat the opening weekend record in Japan set by the second Harry Potter movie. Opening on Thursday night, Pirates made 1.9 billion yen in three-and-a-half days. In fact, according to Eiga Consultant, its Saturday and Sunday gross of 1.47 billion yen is 148% of Dead Man's Chest's opening Saturday-Sunday gross (the previous Pirates movie). Then why does Box Office Mojo writes it as a disappointment?

Last year, the opening gross of Dead Man's Chest is marked as US$16.6 million at the exchange rate of US$1=116.172 yen. However, Mojo wasn't able to take in the fact that Dead Man's Chest actually had weekend previews the previous week. Buena Vista probably calculated it all into the opening weekend gross to rig the numbers, or Mojo didn't know about the screenings and just put whatever it made total as its total two-day gross. This week, At World's End made about US$12 million in 2 days at the exchange rate of US$1=121.839 yen, with a total US$15.9 million. So not only did Mojo not know about the preview screenings for Dead Man's Chest, it also failed to account the changing exchange rate, which shows At World's End made more in yen in its first 3 days than Dead Man's Chest in its first 2 days PLUS 3 days of weekend previews, which accounted for 0.94 billion yen, or at the exchange rate at the time, 8.09 million of Mojo's reported 2-day gross.

OK, it all seems a little complicated, so here's a summary: At World's End made more money, despite Mojo's one-sentence opinion that it disappointed because it forgot changing exchange rate and the lack of weekend previews.

Elsewhere on the rest of the Japanese box office top 10, seems like Kitaro drew more audiences, but For Those We Love made more money because of the adult audience it attracts. Same thing for Pacchigi - Love and Peace, which may be pulling in an older audience (senior tickets are cheaper as well) than Stranger Than Fiction. Spiderman 3 will probably pass Spiderman 2's gross in Japan, but will not likely hit the 10 billion yen mark that Sony was hoping for. Everything else except for Bizan is seeing over-30% drops simply because there's not enough screens to go around in Japan. This week's strongest Japanese film opening is Shaberedomo Shaberedomo, a drama about Japanese comedians that opened with 39.7 million yen on just 98 screens. This looks like one of those movies with staying power anyway.

- In Korea, Jeon Do-Yeon's best actress win at Cannes, the second ever for an Asian actress, for Secret Sunshine seems to be having a significant impact on its box office, with online ticket sales increasing to 31.6% of overall sales. Then again, this type of character-driven films probably depends more on word-of-mouth in the long run anyway.

- Everyone in Japan probably already know by now that Miss Japan is the new Miss Universe. In fact, two of the five finalists are from Asia (with two from South American, and Miss USA rounding out the rest). Asia represent!

Too bad that more people decided to tune into a rerun of a Charlie Sheen sitcom instead. And it's even sadder that the ratings for amateur filmmaking reality show On the Lot continues to show that most people just don't care about filmmaking. It's like going to see a doctor and not care about how the doctor is going to fix you.

- With Spiderman 3 and Harry Potter holding their world premieres in Japan, Hollywood is taking Japan more seriously than ever, at least in promotion.

- r@sardonicsmile writes a rave for Japanese music film Custom Made 10.30, starring Kaela Kimura and Tamio Okuda. As a fan, she also introduces Okuda's music in the post.

- I saw Batman Begins on IMAX, which was quite an experience, even though it was my second time watching the movie. What was that for, you ask? Christopher Nolan is now filming the sequel The Dark Knight, and he's actually filming four sequences with IMAX cameras, instead of just letting them convert it from 35mm.

- EastSouthWestNorth is fuming at the further hypocrisy of the Hong Kong Television and Entertainment Licensing Authority. First the government prosecuted a man for just hyperlinking to some pornographic images on a Hong Kong forum. Except if you look at the board in question, you have people posting supposed pictures of their girlfriends and their wives with no constraint or morals involved. Meanwhile, you have the TELA going after inMediaHK for posting an artistic photograph with nudity that was already widely available on Flickr. The point is, with an entire forum of this crap, with even a warning on it, why did they even prosecute just one person?

By the way, link to forums in the EastSouthWestNorth is NOT work-safe, and not for anyone under 18 years old. There, just covering my own ass before I get arrested and extradited back to Hong Kong too.

- In what might also be considered an outrage to some, a Michael Bay movie is actually going to premiere at a film festival. Who knew?

- Korea Pop Wars has more posters for Kim Ji-Woon's The Good, The Bad, and the Weird, cheesy English tag lines and all.

- Stephen Fung's Enter the Phoenix has been sold to be remade in Hollywood. I shuddered when the producer says "this movie should be remade for a bigger, broader audience." Can you say bad gay jokes all around? Then again, the original has a kid smiling after a thermometer goes up his anus, it can't really get any broader than that.

The Golden Rock song of the day - 5/28/07

With the death of Zard lead/only singer Izumi Sakai, The Golden Rock feels it's only appropriate to choose a Zard song for today's Song of the Day. However, since I don't know much Zard songs, picking this song from its title seems like a natural choice. From the album "Forever," it's the title song "Forever."

The Golden Rock - May 28th, 2007 Edition

As I wrote yesterday, I revisited the Iwo Jima saga by Clint Eastwood for Memorial Day in the United States. But except for my point that one should watch Letters From Iwo Jima before Flags of Our Fathers, I couldn't write anything beyond that.

Anyway, my reasoning for the reverse order is simple chronological order: Letters takes place before and over the course of the battle of Iwo Jima, and at least half of Flags takes place after the battle. Since one is likely to suffer battle fatigue by the end of Letters, the fragmentary nature of Flags (which shows the battle using flashback moments) would work more effectively. In fact, if one looks closely, the scene transitions towards the end of Letters is similar to the first half an hour or so of Flags. Beyond those sections, Eastwood doesn't use the fade-out approach as often, almost as if he wanted both films to work as one. Either way, even though Eastwood's work doesn't bring anything new to the genre, I think it's still a monumental achievement, and it will hopefully be seen as that down the line.

- Feeling a little deja vu again, as I'm reporting another huge worldwide weekend for another huge blockbuster sequel. That's right, Pirates of the Caribbean: At World's End has broken a few records around the world at some of the places that this blog covers. Starting in North America, Pirates broke the Memorial Day weekend record set by X3: The Last Stand (another 3rd edition of a blockbuster franchise).

According to a link at Korea Pop Wars, it also broke the global 6-day opening record set by Spiderman 3 (just read that complicated explanation to see how it works), even though it didn't win the 3-day weekend record. But it didn't break the best opening weekend record in Korea set by The Host, taking in 2.71 million admissions since it opened on Wednesday on a crazy 900 screens. Oh, Secret Sunshine had a pretty good opening too, plus a Japanese film crossed the 100,000 admission mark. Go read all about it.

- Back in the beginning of the month, Spiderman 3 made HK$28.6 after 6 days on over 120 screens in Hong Kong. It might not have beaten its opening day record (and in fairness, both films opened on public holidays), but Pirates might its pace by making HK$20.33 million after 4 days, including HK$4.62 million from 121 screens on Sunday alone. We'll know by Wednesday when the 6-day gross comes out, but with 8.3 million to go in 2 days, the best Pirates can do seems to be matching Spidey, not beating it. Of course, note that Pirates tickets in HK cost HK$5 more than Spiderman 3, so if the same amount of people go watch it, then its gross would naturally be higher than Spiderman.

(reference: US$1=HK$7.8)

- In Japan, Pirates ruled at number 1, as expected. But all I gots right now is the ranking (that's an intentional mistake, by the way, unlike the many typos I make in this blog), so more number crunching tomorrow.

- Very sad news also coming from Japan. Izumi Sakai, the lead singer of the pop group Zard passed away yesterday after an accidental fall. She was 40 years old.

- In Japanese drama ratings, We see Operation Love climbing from a 16.9 to 17.4, solidifying its status as this season's top drama. Sadly, Joudan Janai went further down from a 11.7 to a season low of 10.7. Sexy Voice and Robo saw its 2nd episode replayed because its 7th episode is too close for comfort after a police-involved shooting last week, and the rerun got only a 6.0 rating. Aya Ueto's Hotelier (based on the Korean drama) is seeing an up trend with a 9.3 this week, same as Liar Game, which has seen its ratings go up for a 4th week with 12.0 rating.

All Japanese drama information here.

- After its win at the Cannes Film Festival, Variety finally has a review of Naomi Kawase's The Mourning Forest. Reviewer Russell Edwards says its ambitions are undercut by conveniently underarticulated affections, and won't reach far beyond festivals and European arthouse audiences.

Meanwhile, Jason Gray updated his previous about with a few more words about the film and its upcoming limited release in Japan.

Eiga Consultant questions its commercial prospects. While The Mourning Forest is set for a 5-screen limited release nationwide, its success in Cannes may push it to become a small indie success like "The Seagull Diner." However, it's also going to be broadcast on the pay satellite channel for NHK in HD on May 29th, 3 weeks before its theatrical release.

- James Maruyama provides a review for the independent Japanese film "I am Nipponjin," about a Japanese-American girl finding out the ways of her culture. Apparently, it's better than it sounds.

- r@sardonicsmile has a look at the Hong Kong band scene, which include a clip of the documentary on my favorite HK rap group LMF. However, if you're in a Cantonese-speaking work environment, the language is not work-safe.

- Jason Gray also reports that Martin Scorsese may be filming Silence, his adaptation of the novel on 17th century Japan, in Japan after all.

- Before moving on L, the spinoff for Death Note, Hideo Nakata finished his horror flick Kaidan. Twitch has the full theatrical trailer up. Am I the only one that thinks the Ayumi Hamasaki theme song is really out of place?

- Meanwhile, Yukihiko Tsutsumi, the director of Memories of Tomorrow and Trick, has signed up for yet another comic adaptation.

- Twitch is reporting some rumor from Hong Kong's Oriental Daily (and we know how reliable Hong Kong entertainment news are) that Chow might take up a non-comedic role in a war film as part of his deal with Sony Pictures.

As kind of a related note, a Hong Kong entertainment reporter reported that Chow Yun-Fat is rumored to take a role in a kung-fu take on the Snow White story with Disney. I am not even joking, and I'm not being sarcastic. I heard this with my own ears.

- Under "no one really asked for this" today, Jackie Chan is joining George Foreman is a campaign to sell the George Foreman Grill in Asia. I'm not gonna bite.

- Twitch has a first look at Mathieu Kassovitz's latest film Babylon AD, starring Vin "I should've starred in 300" Diesel and Michelle Yeoh. It's not even real footage, but rather behind-the-scenes stuff. Still, it's actually looking pretty good.

Best of Golden Rock - May 21st to May 27th

The following is a compilation of the most notable news covered by The Golden Rock from May 21st to May 27th, excluding the Cannes Film Festival news:

- Jason Gray has seen Takeshi Kitano's "Kantoku Banzai," but has sworn to secrecy. So good luck trying to decipher his response, completely done in Japanese smiley faces.

- How can you get your movie into China without having to worry about blackout dates and import quota? Engage in an artistic battle royale with your fellow filmmakers at the Shanghai International Film Festival, and you shall get your wish.

- Following in the footsteps of Variety Asia, Hollywood Reporter has recently decided to expand their coverage into Asia with new offices in Hong Kong and Beijing. Good for them.

- EastSouthWestNorth has a link to an English TVB-produced special about The Society For Truth and Light, a conservative group in Hong Kong that is very much on the opposing side against the Chinese University of Hong Kong student newspaper controversy, and is a strong opponent against laws that outlaw discrimination of "sexual minorities" (that would mean the gays). The focus of the program is that they have recently been teaching a human rights course to schoolteachers. My favorite quote about the course: "If you think your time is valuable, don't try to join this course." Sounds like a quote ready for print.

- There have been clips of Sammi Cheng's Hong Kong concert on Youtube, prompting the record company to ask Youtube to take it off the site. Problem is that these are just badly recorded clips from cell phones of digital cameras, so why start some petty copyrights fight to give up some promotion for the concert DVD?

- Apparently someone used a digital camera or something and bootlegged some footage from the reel for Feng Xiaogang's The Assembly from the Cannes Film Festival. It looks technically accomplished, with huge explosions and whatnot, but Feng Xiaogang is first and foremost a commercial filmmaker. And honestly, the battle scenes look like they were taken straight out of Taeguki, which took its battle scenes out of Saving Private Ryan.

- Who says that playing video games ruins your mind? Well, maybe in America, but in Japan, the Nintendo DS is actually being used effectively to learn English.

- Mark Schilling has written an obituary for director Kei Kumai, who passed away on Wednesday morning Japan time.

- LoveHKFilm also has some new reviews, including last week's openers in Hong Kong - Herman Yau's Gong Tau and The Matrimony, starring Leon Lai and Rene Liu. On the Panasian side, there's also the Japanese films Midnight Sun, Strawberry Shortcakes, and Hou Hsiao-Hsien's Ozu tribute Cafe Lumiere.

Out of those, I've only seen Cafe Lumiere, and if i have never been to Tokyo, I would've been bored to death by it. But for some reason(most likely in that I'm a bit of a transportation nerd), I really liked how Hou Hsiao-Hsien captured Tokyo in such a naturalistic fashion. It's not really a crazy city. In fact, despite its sheer size, the city is rather serene when you leave its busiest districts, and that's what Hou managed to capture. Also, I was in a Japanese cinema class at the time, and I was actually looking for recurring Ozu themes throughout the film, which made it even more interesting. Plus, it was fun playing "what's that train" and "which train station is that" throughout the film. However, I expect everyone else to be pretty bored.

- Good to see the Japanese government embracing the technology, with a government panel now encouraging webcast of television content without requiring getting permission from all rights holders, as long as royalties are paid.

This leads me to a short rant. Recently, I signed up for a Japanese video service named Gyao, which is by the Usen Group and basically provides streaming video service for free. Unlike websites like Veoh and Crunchyroll (no link for you!) basically allow users to upload and watch films for free and illegally, this one is actually 100% legal and free, paying for itself through advertising. It has films, music videos, dramas, basically everything users wanted when they go to sites like Youtube. I was signed up and ready to watch (I knew something was fishy when they asked for my Japanese zip code, though. I used the zip code of someone I know), then the service won't let me watch it, limiting it to Japanese computers only.

Obviously, I understand that it's a matter of copyrights when foreign films or films sold to foreign distributors are involved, but this just shows how much the studio cares about exposure versus pure profit. Who cares who watches their movies when they got money from their foreign deals all lined up? This disdain for international audiences by Japanese distributors are why copyrights for their shows are infringed all the time. This is why sites like Crunchyroll and Veoh pop up, while the Japanese authorities moan and whine about how foreigners are stealing their copyright. Mind you, I'm not going to start downloading Japanese movies without paying my dues, but I think they brought it onto themselves.

- Here's kind of an interesting idea for a new film. The Korean-Canadian co-production "Anti-Hero" introduces a world where everybody has some kind of unique power (where are they going to think of 6 billion different unique powers?) except for the protagonist. Doesn't that make him unique in the first place?

- Looks like Harvey Weinstein and Luc Besson are going at each other over The Weinstein Company's release of Besson's last film Arthur and the Invisibles. Even though Weinstein does have a record of screwing with their foreign acquisitions, I actually haven't really heard anything positive about Arthur and the Invisibles, so it was probably going to flop anyway. Maybe Besson is just look for a scapegoat for failing to gauge the audience for this film.

- Another conflict that might pop up is going on in Japan, where outspoken director Izutsu Kazuyuki (Pacchigi - Love and Peace) praised films in general.....except Kitano doesn't exactly care whether directors like films or not. This is ironic, considering Kitano's movie emulates just about all popular genres of film, which I figured only a director that likes film would do.

- After becoming a limited release hit in Hong Kong, Borat has finally landed in Japan. Playing in about 30 screens nationwide (including just one theater in central Tokyo), the limited release strategy is another step by Fox to try and understand the strange Japanese market, where there really hasn't been much of a pattern as to what type of Hollywood films work there (A.I. was a huge hit there while Batman Begins was not). Check out some of the more interesting promotional tactics. Also, the Shibuya theater linked above is offering admission for 1000 yen (scroll about one entry down) if you show up at the the theater on Mondays with a mustache on (fake mustache ok, but no stubble, not sure if the theater offers the mustache) and mention "hige" (mustache in Japanese) at the box office. Oh, and Japan Times has a review for it too.

- Everybody is finishing up their trilogies in recent years, from Alejandro Gonzalez Inarritu's "Death Trilogy" to Gus Van Sant's.....other "Death Trilogy" (apparently death at the hands of strangers is what he calls it) to Park Chan-Wook's "Revenge Trilogy." Apparently, even Takeshi Kitano has been doing a trilogy from "Takeshis'" to "Kantoku Banzai!". Now he's planning to finish up this "self-exploratory trilogy" with a movie about the life of an artist from success to ruin that will feature his own paintings. Parallel to Kitano's own directorial career is still unknown, depending on the reviews for "Kantoku Banzai!".

- There's a law in China that bans all materials that deal with the supernatural. Films and books that deal with the supernatural are often banned, though there are ways around it, as evident in the recent thriller The Matrimony. The latest victim of this ban is the popular Japanese comic/animated series/films Death Note. Authorities in China finally got off their asses and seized over 2400 copies of the comic and 360 copies of what is probably the animated series or the films on compact discs. Thanks to the popularity of the comic, kids are also buying up the mock version of the Death Notebook (In Japanese, the word for notebook is "no-to," or just "note." So Death Note actually means Death Notebook), freaking out other kids by writing their names in it. Now that's just plain mean.

- Since we were on the subject of law, Japan has finally passed a legislation in its parliament that bans the video recording of film in movie theaters. The fines are pretty heavy too, so think twice before bringing in that camera for the Death Note spinoff movie; keeping up your otaku cred isn't worth that much.

The Golden Rock song of the day - 5/27/07

I don't write about them much on this blog (probably because they broke up a few years ago), but I'm a fan of the British band Suede. After they broke up, lead Brett Anderson and former Suede member/mortal enemy Bernard Butler formed The Tears and has so far released only one album (Brett Anderson released his solo album earlier in the year, but I haven't heard it yet). That's where today's song of the day is from. Even as a Suede fan, I have to admit that The Tears' "Here Come the Tears" sounds like a pale imitation of Suede, but today's track is still quite good (that's why it got chosen today). It's "The Ghost of You."

The Golden Rock - May 27th, 2007 Edition

Cannes finally comes to a close, meaning that those who don't really care can now rest easy. Of course, if all goes well, we'll doing it all over again for Venice and Toronto later this year.

On the general awards front, the Romanian film "4 Months, 3 Weeks, and 2 Days" won the Palme D'or, Julian Schnabel won best director for "The Diving Bell and the Butterfly," Gus Van Sant won the special 60th Anniversary Award for "Paranoid Park," Fatih Akin won the best screenplay award for "The Edge of Heaven," and Konstantin Lavronenko won best actor for the Russian film "The Banishment."

On the Asian films front, Naomi Kawase's "The Mourning Forest," which screened on the last full day of screening in competition, won the Grand Prix (which is like a glorified 2nd place award). Variety and Hollywood Reporter critics usually don't work on weekends (even during Cannes, apparently), so there are no reviews from them yet. However, we do have a review from Screen International's Lee Marshall, who calls the film one of great emotional impact with a vision that is equal to Terrence Malick. Meanwhile, Mike D'Angelo has a short review on ScreenGrab, and he didn't like it as much (it's a short review, just scroll down. Thanks to Green Cine for the link).

Also, Jeon Do-Yeon won the best actress award for Lee Dong-Chang's "Secret Sunshine," which ups the awards count for Asian films in competition to two this year. Then again, the competition seems pretty heavy this year, so Asia should be glad that it represented itself quite well.

- Moving on, Danny Boyle's Sunshine, which has unfortunately not been doing very well anywhere it's playing so far (it has open in most major territories in the world and has only made US$27 million). Now, Fox has moved up the North American release to July 20th from its second release date in September. This might be a good move, since it's only going against John Travolta in drag (courtesy of The Movie Blog) and the new Adam Sandler comedy, which just got the R kiss of death from the MPAA.

- Everybody is finishing up their trilogies in recent years, from Alejandro Gonzalez Inarritu's "Death Trilogy" to Gus Van Sant's.....other "Death Trilogy" (apparently death at the hands of stranger is what he calls it) to Park Chan-Wook's "Revenge Trilogy. Apparently, even Takeshi Kitano has been doing a trilogy from "Takeshis'" to "Kantoku Banzai!". Now he's planning to finish up this "self-exploratory trilogy" with a movie about the life of an artist from success to ruin that will feature his own paintings. Parallel to Kitano's own directorial career is still unknown, depending on the reviews for "Kantoku Banzai!".

- Japanese studio Toei and America's Colombia Music are teaming up to make a series of short films for TV, DVD, and internet that will hopefully somehow lift sales by crossing CDs with DVDs. Their first film is called Metal Samurai. Good idea? Bad idea?

- Argentina and China are working on a deal to build a studio complex in Argentina. In addition, there are talks under way that would allow Chinese and Argentinean co-productions and other cinematic goodies.

- There's a pretty ho-hum poster out for Feng Xiaogang's The Assembly. Am I the only one that's no really excited about this?

- There's a law in China that bans all materials that deal with the supernatural. Films and books that deal with the supernatural are often banned, though there are ways around it, as evident in the recent thriller The Matrimony. The latest victim of this ban is the popular Japanese comic/animated series/films Death Note. Authorities in China finally got off their asses and seized over 2400 copies of the comic and 360 copies of what is probably the animated series or the films on compact discs. Thanks to the popularity of the comic, kids are also buying up the mock version of the Death Notebook (In Japanese, the word for notebook is "no-to," or just "note." So Death Note actually means Death Notebook), freaking out other kids by writing their names in it. Now that's just plain mean.

- Since we were on the subject of law, Japan has finally passed a legislation in its parliament that bans the video recording of film in movie theaters. The fines are pretty heavy too, so think twice before bringing in that camera for the Death Note spinoff movie; keeping up your otaku cred isn't worth that much.

- Oh, there's also a teaser poster for Kim Ji-Woon's The Good, the Bad, and the Weird, currently in production. What the hell is that thing Song Kang-Ho is wearing?

- Since this is the summer of the sequels, Professor David Bordwell wrote about a virtual roundtable he had that discussed the possible merits of sequels in his blog.

Off to finish the second part of Clint Eastwood's Iwo Jima saga. Yup, that means a feature tomorrow, right on time for Memorial Day.

The Golden Rock song of the day - 5/26/07

Today's song of the day is again an alternate version that is probably not available on any record. From the Zazen Boys, who seem to make a very unique type of freeform rock that mixes R&B sensibility, it's "Kimochi" from their first album. Except this is the live version featuring Shiina Ringo.




You can find another live version here, but embedding was disabled, so just clicked on the link.

Enough with the titles

I don't know why I started putting titles for every entry, but after having to think of over 100 of them, I'm a little tired of them. So News from tomorrow on will just be under generic titles like "Golden Rock News for _______).

- The big worldwide opening this weekend is, as everyone knows by now, the third and (perhaps) final Pirates of the Caribbean movie. Spiderman 3 had already set the bar this summer with record openings all around the world. However, this blog only tracks a few, and it seems that Pirates isn't quite tall enough for the bar.

In Hong Kong on Thursday opening day, Pirates took up 119 screens and made HK$6.8 million (this may or may not include Wednesday night shows, if there were any). It was close, but it fails to break the Spiderman record, which is 7.38 million on 122 screens. There are going to be arguments that suggest Pirates made less because it's longer, but in Hong Kong, longer movies charge more money. In the case of Spidey, it saw a $10 extra charge because it runs at 140 minutes, while Pirates saw a $15 charge for the 168-minute length. Perhaps that's the reason people bulked - it's a three-hour movie that charges 15 dollars extra. This is the case where theater owners went a little too far in trying to make money, considering they are the ones pocketing this PLUS the 50% gross that's the usual theaterowner fee. Of course, I'm making it sound a little bad, but the truth is Pirates still scored one of the Hong Kong's biggest opening days ever.

On the rest of the top 10, Spiderman 3 still managed to make HK$600,000 on 33 screens for a 24-day total of HK$52.66 million. Gong Tau actually saw a better per-screen average than last week with HK$120,000 on 8 screens. There are only two openers, both limited releases, that entered the top 10: The animated Conan the tiny detective movie made HK$20,000 on 2 screens, which means it might be looking good this weekend for the family business. The art film The Go Master opened on one screen with HK$20,000. Looks like it'll be the counter-programming indie hit this weekend.

Oh, in America, Pirates also failed to beat Spidey's gross, though it also made a ton of money on Thursday night showings, which means it might be able to best Spidey's record 3-day numbers.

- An Asian-American filmmaker hits it huge in Cannes. Raised in rural Arkansas and studied film at Yale, Lee Issac Chung's Munyurangabo, about the Rwanda genocides, earned a rave review from Variety.

- Meanwhile, Fortissimo Films (which holds a number of Asian films, in case you wonder why it matters) have struck a bunch of deals at Cannes. Find out what Asian films are coming to your corner of the world.

- In the continuing saga of amateur college publishers versus the conservative Hong Kong society, there are now public comments criticizing the eight Obscene Articles Tribunal Adjudicators that participated in the mock classification of four articles, including the Chinese University of Hong Kong student newspaper.

Meanwhile, if anyone is still interested in what's going on, EastSouthWestNorth translated the whole questionnaire, including the mock answers, at the risk of being reported to the TELA for reprinting obscene materials. I'm not currently living in Hong Kong, so I don't believe I'm under the jurisdiction of this law (though I am a Hong Kong permanent resident), but much credit goes to Mr. Soong's work and his dedication to cover the important topics of Chinese media. He even goes into the entire classification process, which I have no idea how I managed to miss the link for.

- Speaking of conflicts, looks like Harvey Weinstein and Luc Besson is going at each other over The Weinstein Company's release of Besson's last film Arthur and the Invisibles. Even though Weinstein does have a record of screwing with their foreign acquisitions, I actually haven't really heard anything positive about Arthur and the Invisibles, it was probably going to flop anyway.

- Another conflict that might pop up is going on in Japan, where outspoken director Izutsu Kazuyuki (Pacchigi - Love and Peace) praised films in general.....except Kitano doesn't exactly care whether directors like films or not. This is ironic, considering Kitano's movie emulates just about all popular genres of film, which I figured only a director that likes film that do.

- After becoming a limited release hit in Hong Kong, Borat has finally landed in Japan. Playing in about 30 screens nationwide (including just one theater in central Tokyo), the limited release strategy is another step by Fox to try and understand the strange Japanese market, where there really hasn't been much of a pattern as to what type of Hollywood films work there (A.I. was a huge hit there while Batman Begins was not). Check out some of the more interesting promotional tactics. Also, the Shibuya theater linked above is offering admission for 1000 yen (scroll about one entry down) if you show up at the the theater on Mondays with a mustache on (fake mustache ok, but no stubble, not sure if the theater offers the mustache) and mention "hige" (mustache in Japanese) at the box office. Oh, and Japan Times has a review for it too.

- Japan Times also has a review of nationalist Tokyo governor Shintaro Ishihara-penned "For Those We Love," which he claims in an anti-war film....except reviewer Mark Schilling says Ishihara writes the war as "an idealistic crusade to free Asia from Western domination." Maybe it's just me, but that sounds awfully pro-WWII to me.

- The Hideo Nakata-helmed Death Note spinoff L already has an official site up with a teaser trailer. Don't get excited, though, it includes absolutely no footage from the film, because it's a teaser announcing that shooting starts in the summer.

- More movie website news: The website for Shinji Aoyama's new film Sad Vacation is up and running, but no trailer on it yet.

- Lastly, there's a 4-minute trailer up for Kenta Fukasaku's latest film X Cross (no, not the action film he announced he would do a few weeks ago). According to the trailer, it's about a woman running away from a cult that cuts young girls' legs off, and it promises a scare every 5 minutes. Except for the cross-dressing killer, it looks pretty intense. Remember it's the very fist link.

The Golden Rock song of the day - 5/24/07

I heard this song from the Hong Kong radio programs I listen to when I'm at the gym. They released this song on the radio around the time they were plugging YUI's album (Midnight Sun had just left theaters at that point too), so I would literally listen to it quite a bit over the course of the 10-hour minidisc I recorded the programs on (don't freak out, I pay for the access to the archive). And it's been stuck in my head ever since. From the album Can't Buy My Love, it's YUI's "I Remember You."

Note: The video was shot in Kamakura, where I went during my trip in January. It's an absolutely beautiful city even if you don't want to go to the temples and shrines there.

More of the same

Two notable films (at least for me) premiered at Cannes - the big Hollywood blockbuster Ocean's Thirteen and Lee Chang-Dong's Secret Sunshine.

While many people didn't like Ocean's Twelve, I really liked the fun French New Wave spirit Soderbergh was trying to express. He knows that it was an excuse for everyone to just go on vacation in Europe, and pretty much shot it that way. It might've seemed like film snobbery (People seriously thought I was bullshitting with the French New Wave thing), but I liked it nevertheless. Anyway, The gang returns for more of the same in Ocean's Thirteen, although I expect Soderbergh turning down the genre homage by quite a bit. Anyway, seems like critics are liking it more, with Hollywood Reporter calling it spirited and engaging, while Variety calls it as smooth as a good mojito and as stylish as an Armani suit. Alright, I'll bite.

Meanwhile, Lee Chang-Dong's Secret Sunshine, starring Jeon Do-Yeon and Sang Kang-Ho, is also getting some pretty good reviews as well. Variety says Jeon's performance is finely detailed while the film fails to dramatized in cinematic terms, LunaPark6 is praising it, and Hollywood Reporter calls it a brave and unsettling film with outstanding performances.

The Singaporean film Pleasure Factory, about prostitutes in Singapore, was shown at the Un Certain Regard, but Variety hated it, saying that it makes the "dreadful" Herman Yau film "Whispers and Moans" look like a narrative masterpiece by comparison. Ouch.

Who else other than the director of Pleasure Factory not having such a good time? The coordinators for the booth representing Korean films this year. Apparently, they are just not having much luck at all at Cannes, marking a down trend in the Korean market for the first time in years.

But nevertheless, studios seem to be opting to buy films from independent studios rather than making them themselves, even though some independent studios aren't biting what the big guys have to offer.

As Cannes starts to get to the end, it's about time to decide who gets the Palme D'or. In many instance, the jury doesn't quite agree with the critics' choices, but the critics can't even agree among themselves this year.

The MPA is singing the same tune at a different concert hall, this time at Cannes.

On to your regular programming:

- Mark Schilling has written an obituary for director Kei Kumai, who passed away on Wednesday morning Japan time.

- Twitch has an advance review of Ryuhei Kitamura's Lovedeath. Reviewer James Maruyama calls it high on style and action, but low on story or invention. Sounds like typical Kitamura to me.

- LoveHKFilm also has some new reviews, including last week's openers in Hong Kong - Herman Yau's Gong Tau and The Matrimony, starring Leon Lai and Rene Liu. On the Panasian side, there's also the Japanese films Midnight Sun, Strawberry Shortcakes, and Hou Hsiao-Hsien's Ozu tribute Cafe Lumiere.

Out of those, I've only seen Cafe Lumiere, and if i haven ever been to Tokyo, I would've been bored to death by it. But for some reason(most likely in that I'm a bit of a transportation nerd), I really liked how Hou Hsiao-Hsien captured Tokyo in such a naturalistic fashion. It's not really a crazy city. In fact, despite its sheer size, the city is rather serene when you leave its busiest districts, and that's what Hou managed to capture. Also, I was in a Japanese cinema class at the time, and I was actually looking for recurring Ozu themes throughout the film, which made it even more interesting. Plus, it was fun playing "what's that train" and "which train station is that" throughout the film. However, I expect everyone else to be pretty bored.

- Good to see the Japanese government embracing the technology, with a government panel now encouraging webcast of television content without requiring getting permission from all rights holders, as long as royalties are paid.

This leads me to a short rant. Recently, I signed up for a Japanese video service named Gyao, which is by the Usen Group and basically provides streaming video service for free. Unlike websites like Veoh and Crunchyroll (no link for you!) basically allow users to upload and watch films for free and illegally, this one is actually 100% legal and free, paying for itself through advertising. It has films, music videos, dramas, basically everything users wanted when they go to sites like Youtube. I was signed up and ready to watch (I knew something was fishy when they asked for my Japanese zip code, though. I used the zip code of someone I know), then the service won't let me watch it, limiting it to Japanese computers only.

Obviously, I understand that it's a matter of copyrights when foreign films or films sold to foreign distributors are involved, but this just shows how much the studio cares about exposure versus pure profit. Who cares who watches their movies when they got money from their foreign deals all lined up? This disdain for international audiences by Japanese distributors are why copyrights for their shows are infringed all the time. This is why sites like Crunchyroll and Veoh pop up, while the Japanese authorities moan and whine about how foreigners are stealing their copyright. Mind you, I'm not going to start downloading Japanese movies without paying my dues, but I think they brought it onto themselves.

- Director Naomi Kawase's "The Mourning Forest" hasn't even premiered at Cannes yet, and she's already announced her next film, which will be released next summer. You have to give Asian directors some credit; even the best ones work amazingly fast.

- Remember three weeks ago, when Spiderman 3 broke all kinds of records with humongous screen counts and what have you? That seems so long ago, doesn't it? Well, the new Pirates of the Caribbean movie is opening, and sounds like it'll be more of the same - breaking screen counts, box office records, and the blah blah blah. In Japan, Eiga Consultant is predicting the three ways it can go - the V way, as shown by the Lord of the Rings and Spiderman franchise in Japan (High gross for first installment, dips the second, and jumps back up in the third), the "yama" way, as shown by the Matrix and Mission: Impossible franchise (increased gross for the second film, then dipping on the last film), or the descent way, shown by the Harry Potter franchise and the Star Wars prequels (this one doesn't need explaining).

Considering that the Pirates franchise saw its first film make 6.8 billion yen to 10 billion yen for its sequel, it's safe to say that the descent way is out of the question. But with a 2-hour-and-48-minute length and the big Japanese comedy battle next week (Dai Nipponjin vs. Kantoku Banzai), don't be surprised if it goes the Yama way.

- A movie that I guess can work as counter-programming is the latest Zero Woman film, which F-ed Gaijin introduces. Here's the trailer to the new film, but beware: it is NOT work-safe.

- Here's kind of an interesting idea for a new film. The Korean-Canadian co-production "Anti-Hero" introduces a world where everybody has some kind of unique power (where are they going to think of 6 billion different unique powers?) except for the protagonist. Doesn't that make him unique in the first place?

- Japanese poet Shuntaro Tanikawa is directing his first film, and it's apparently shot with a still camera. Is he trying to emulate Hou Hsiao-Hsien?

An Outward Shout

In light of Ryuganji's, EastSouthWestNorth, and Lovehkfilm's recent shout-outs to this blog, It's probably a good time for me to acknowledge some, if not all, of the links I have on my right here as well.

Film Philia seems to be a new site, and updates about once a week-2 weeks with news and trailer links that are short and to the point.

Like him or not (he hate Lord of the Rings, but loves Michael Mann and Babel), Hollywood Elsewhere is an enormous informative column/blog about the movie business. Jeffrey Wells is indeed a bit opinionated for some people's taste, but he's a columnist, not a reporter. So what else can you expect?

I don't think I have to profess my love for Lovehkfilm anymore, or I'd just seem like huge suck-up. Plus, they have a really talented reviewer that seem to really like the Hong Kong defunct rap group LMF....

Ryuganji doesn't update his site often enough, but his page's feed to all news Japanese films may just make this blog's existence a waste of internet space. Good thing I know a thing or two about Hong Kong cinema too.

TV in Japan is just kick-ass. Even if there's no context to the clips sometimes (Japanese TV is not especially weird; it's just as sensational as any other mainstream TV industry, but in another culture), it never ceases to provide hilarious clips that I somehow never caught when I was there. The reason I don't mention it in my post is because the whole thing is about entertainment, and they update it as frequently as I do anyway.

A Pity I'm an Aquarius is an interesting photography blog, even if it doesn't have much film stuff in it. Plus she was one of the first people to link to The Golden Rock, and I'm more than happy to return the favor.

Asian Cinema - While on the Road is by Brian of brns.com. As a programmer for the New York Asian Film Festival, he gets to watch a lot of Asian films that I wouldn't be able to get my hands on.

I don't do much celebrity gossips on this site. I leave it to Daily Dumpling to fulfill all of your Asian celebrity news instead.

Professor David Bordwell and Kristen Thompson's blog is always informative for an aspiring filmmaker and those interested in film as an art form. As a film studies major who almost went into film research for grad school, it's always an enormously rewarding reading experience for me, especially those entries about shot lengths.

There are not enough words (at least in my limited Japanese vocabulary) to describe how thankful I am for a blog like Eiga Consultant. I didn't think anyone cares about box office statistics as much as I do until I found this blog. It's been very very useful for this site, for what I wanted to do with this blog, and for satisfying my own curiosity with having to know the box office statistics of everywhere I've lived before.

And Hoga News was the how I found Eiga Consultant in the first place. Providing translations of Japanese film news and box office statistics, Hoga News was also the first major site that linked to the Golden Rock, and I am eternally grateful for that.

Old school Hong Kong martial arts movies aren't my cup of tea (I just didn't get to grow up with it, and I have no time to catch up with it now), but head over to Hong Kong and Kung Fu DVD News and Reviews if they are your cup of tea.

Jason Gray provides an interesting inside look at Japanese cinema - both mainstream and the lesser known stuff like Pink films - that you can't find in the news.

r@sardonicsmile just has a really cool pop culture blog that seems to share similar sensibility as I. Too bad she doesn't update very often.

Fellow Lovehkfilm reviewer Sanjuro shows so much knowledge in comic and early contemporary cinema cultures in Ronin On Empty that I honestly feel a little behind on everything. No, I haven't seen any of the Rocky movies, but he has, and even reviews all of them! Like the previous link, I wish it'd be updated a little more often, but it understandably isn't because of his schedule.

Web of Significance is a blog that's about a bit of everything, and it's always informative. Of course, I'm especially attracted to the movies stuff, but it's all good anyway.

Just added is Hongkie Town, a blog I've been following for over a year now about the adventures of a foreigner living in Hong Kong. It doesn't have much movie stuff (a review here and there), but it's still immensely rewarding with fun stories from Hong Kong and abroad, music stuff, and political observations.

Also added is EastSouthWestNorth, a blog that mostly cover Hong Kong, China, and Taiwan political news with translations and links. Extremely useful for anyone interested in seeing how the media work in these three places. Even crazy enough to link to this blog twice within a week. Extremely honored, I am.

And I just realized that I never put Korea Pop Wars on the blog list, even though I use it every week to look at the Korean box office. Shame on me. That glaring error has now been corrected.

Thank you all for the knowledge I have picked up from your sites, and if you happen to read this as well, thank you for your support as well.

The Golden Rock song of the day - 5/23/07

Today continues the classical mood I've been in lately, except I only know the stuff that pretty much everybody knows. The most memorable use of this piece was, I believe, in Gus Van Sant's powerful "Elephant." In fact, the entire soundtrack is filled with classic pieces. By Ludwig van Beethoven, it's the first movement of Moonlight Sonata, or Au Clair De Lune.

And here is a piano genius playing it like he's bored.

Bit of everything

Since there isn't a lot of new from Cannes, we'll just do it the way we always do it around here.

- First, some news out of Hong Kong in a follow-up to the Chinese University of Hong Kong newspaper scandal. After the news broke out that the student newspaper was slapped with an interim category II rating (ruling it as indecent), Ming Pao Daily reprinted the page on one of their Sunday issues in an attempt to show what the hoopla's about. After receiving more complaints, the TELA has also given that issue an interim classification of category II. Meanwhile, a survey was also done with over 1000 people about the CUHK newspaper, and to further complicate the definition of obscene, the general public seemed to have been offended by the CUHK newspaper.

Besides the obvious problem stated by EastSouthWestSouth, that most of those people haven't even read the page themselves because the law won't allow anyone to reprint it, what about the issue of target audience? The newspaper is not produced nor distributed for the general public, but rather just a small number of people that goes to Chinese University. Some people say that students might bring it back home, where kids can get to it. Then it's the student's fault for laying a sex page around the house, not the fault of the editors. Until then, only the students of CUHK should have the right to decide what they can or cannot read.

This is a frustrating situation, because people who have no business in denouncing a newspaper is doing so, and there's such a hypocrisy going on in the media that I'm surprised no one is pointing it out. This is the Oriental Daily "Male Extreme Section." It comes out once a week, and it contains articles about how prostitution is a natural thing in society, a column about a woman's experience with a younger man, a guide to having sex during the summer heat, among other things that would not be very acceptable in a mainstream newspaper. So why hasn't these people been fined week after week?

Same reason why Easyfinder has managed to survive week after week of exploiting female celebrities: It's titillating. The contents in the sex pages of mainstream newspapers are meant to encourage people to feel sexual desire, which is why they are often sensational and written in casual Chinese. Though Easyfinder is now closing after years of public pressure, it only got into trouble because of clear acts that are illegal (such as violating Gillian Chung's privacy by printing the pictures of her changing). Other than that, no one points out that it's been nothing more than a trashy tabloid that's meant to entertain.

On the other hand, the CUHK newspaper forces people to face their hidden fantasies, and it pretty much presents the same thing the other mainstream newspapers write about. As for the questionnaire problem, it doesn't even encourage such behavior, nor is it even meant to be taken seriously. Look at the choices: There are four relatively short answers and an extended mock answer that's just played for laughs. Hell, for the question about whether readers thought about bestiality, the closest thing to a "yes" choice is the mock answer. Maybe it's in poor taste, but I don't see anything particularly obscene about it, as long it's not encouraging people to engage in such behavior, and that's my conservative side talking already.

Anyway, on to regular news already.

- Legendary Japanese director Kei Kumai passed away on Wednesday morning Japan time.

- It's time for the Japanese Oricon charts. On the singles side, Keisuke Kuwata's latest single "Will It be Sunny Tomorrow," also the theme song for popular drama Operation Love, debuts at number 1 with 167,000 copies sold. The single also marks his first solo effort in 5 years, and his 5th consecutive number 1 as a solo artist. The debut breaks the record for the consecutive number of number 1 debuts for a solo effort from a band member. Meanwhile, Exile's latest debuts at a weak number 3 spot with only 89,000 copies sold as the singles market continues to weaken over time. Next week, expect boy band V6's new single to rule the charts, only to see a huge drop off afterwards.

On the album chart, Linkin Park debuts at number 1 with 150,000 copies sold, while Maroon 5 debuts at the number 3, selling 64,000 copies. The biggest news is the new album by Tsuyoshi Nagabuchi, who is also starring in Kenta Fukasaku's latest film, debuted only at number 4 with 61,000 copies sold. If the daily rankings hold up, then we should see Japanese albums ruling the charts again.

- Anyone that's looking to watch Sexy Voice and Robo episode 7 online (I'm not, but I'm just saying) can forget it - NTV pulled the episode after an incident last week where an ex-Yakuza holed up in an apartment shot and killed a police officer during the stand-off. They also have no plans to air the episode yet, as they'll just skip straight to episode 8 next week.

- Last weekend, the distributor for the independent film sequel Pacchigi - Love and Peace predicted that its gross would past the 1 billion mark based on the opening day of the first film. And it's true, Love and Peace did indeed open at 150% of the first film, except the distributor didn't take into account that the first film played to strong word-of-mouth for 22 weeks. Considering that the opening was also only 59% of last year's indie hit Hula Girl, perhaps expectation is a little high.

- On the other hand, Indies are now all the rage in North America as a form of counter-programming.

- Reviews from Cannes time. The latest film by Thai director Pen-ek Ratanaruang (Invisible Waves, Last Life in the Universe) Ploy premiered as part of the Director's Fortnight. Variety didn't really like it, saying that it made the slow Invisible Waves look like a rapid approaching tsunami in comparison (that was a pun in bad taste, I say). On the other hand, Twitch likes it a lot, calling it beautiful, thought, and mediative.

- The Edge of Heaven, the new film by Fatih Akin, the director of the great "Head-On" (the film, not the product), is competing in Cannes. Looks like both Variety and Hollywood Reporter liked it. Variety calls it utterly assured and profoundly moving, while Hollywood Reporter calls it intricate and moving. I'm looking forward to it already.

- There have been clips of Sammi Cheng's Hong Kong concert on Youtube, prompting the record company to ask Youtube to take it off the site. Problem is that these are just badly recorded clips from cell phones of digital cameras, so why start some petty copyrights fight to give up some promotion for the concert DVD?

- The Korean film I'm anticipating the most right now is probably Kim Ji-Woon's The Good, The Bad, and the Weird, and it was recently sold to France in a 6-figure deal. Good for them.

- Dave's Trailer Page has a link to a pretty good trailer for the fabulous Paris Je T'aime. I have the Hong Kong all-region DVD, but I urge everyone to give this a try in the theaters. Trust me, it'll appeal to a wide audience better than the arthouse ones, except for a few of the shorts.

- Chow Yun-Fat wants to take on romantic or dramatic lead roles in Hollywood. At least he'll do better than Jackie Chan, who pretty much said the same thing a year or two ago. But....but...what about Hong Kong??

- Apparently someone used a digital camera or something and bootlegged some footage from the reel for Feng Xiaogang's The Assembly from the Cannes Film Festival. It looks technically accomplished, with huge explosions and whatnot, but Feng Xiaogang is first and foremost a commercial filmmaker. And honestly, the battle scenes look like they were taken straight out of Taeguki, which took its battle scenes out of Saving Private Ryan.

- Who says that playing video games ruins your mind? Well, maybe in America, but in Japan, the Nintendo DS is actually being used effectively to learn English.

- Oh, there's another positive review for the new Pirates of the Caribbean movie, though right now it's only at 50% fresh at Rotten Tomatoes. I still can't get over the 2 hours and 48 minutes length myself.

- China is not just looking to Hong Kong for co-production. Those promiscuous bastards are looking all over the world.

- Isabella Leung is going to Hollywood. The star of...Isabella is set to play Michelle Yeoh's daughter in The Mummy 3, also known as "the latest way to fuck up Chinese culture for worldwide consumption." Stop taking our people down with you, Hollywood.

- Cannes isn't even over yet, and the Venice Film Festival is already announcing that Robert Zemekis' latest film, the 3D Beowulf (can he just go back to doing live-action films already?), will be opening the festival. Also, Ang Lee and Paul Thomas Anderson's latest films also have a pretty good chance of showing up there as well.

The Golden Rock song of the day - 5/22/07

Today's song of the day is my favorite track from Faye Wong's 2003 album "To Love." The deep rhythmic beats and the lyrics ("I gave you the movie ticket/I gave him the seat/I gave you the candles/I gave him the dinner") make this a great side track from her last great album. It's "Not Remaining." Of course, another way to literally translate it is "Not Stay," but the song is about leaving nothing behind, hence my literal translation.

Moving ahead

The big Cannes screening this past day was the director's cut of Quentin Tarantino's self-indulgent Death Proof. Essentially, the new cut extends the film by about 20 minutes with two major scenes - the missing reel with the lap dance, and a scene where Stuntman Mike (played by Kurt Russell) actually meets the girls in the second half. Variety likes it even more than the theatrical cut, saying that now the film benefits from the additional details in the second half. And I guess Hollywood Reporter doesn't really have much of a problem with it either, which probably means that the director's cut is pretty much a longer version of the same film. On the other hand, Jeffrey Wells, who actually liked the Grindhouse cut of Death Proof, is indirectly slamming it all of a sudden. Lastly, the Risky Biz blog by Hollywood Reporter has more on the press conference.

This didn't happen yesterday, but someone uploaded footage from Hitoshi Matsumoto's introduction of his film Dai Nipponjin at the Cannes premiere.

Hollywood Reporter critics Ray Bennett and Kirk Honeycott talk about the critical reception to the Cannes Festival films so far, including a reprieve for the panned-opening film My Blueberry Nights.

Meanwhile, there have been quite a few business deals made in Cannes:

Martin Scorsese, with other directors from around the world such as Wong Kar-Wai, Walter Salles, Alfonso Cuaron, Alejandro Gonzalez Inarritu, and Stephen Frears, have started the World Cinema Foundation, which is committed to restoring and preserving old neglected films.

Meanwhile, the Independent Film Channel (IFC) picked up the North American rights for Cannes front-runner "4 Months, 3 Weeks, and 2 Days," among other films.

Colombia Films, owned by Sony, has signed a production deal with Stephen Chow's production company Star Overseas. The first film under the deal is the Stephen Fung-directing effort Jump, starring Hong Kong's spoiled bad boy Edison Chen. This doesn't seem like a surprising decision, considering that Sony handled the distribution for Kung Fu Hustle and will do the same for Chow's latest A Hope.

In the past few years, Korean films have hit it big in Japan, with huge distribution deals being made at film festivals around the world. Seems like the tables have turned, with Korean distributors now buying up Japanese films for their market after their recent relative success.

Yet another film investment fund has now established. A3 International will produce films with Korean, Chinese, and Japanese films in the mid-budget range. No films have been announced under the fund yet.

Now back to regular programming:

- Speaking of launching funds, the Pusan International Film Festival has also launched a film fund for Asian filmmakers. But there's a catch - the fund is for documentaries.

- Numbers from the Japanese box office ranking this past weekend are in. As I mentioned yesterday, only two films penetrated the top 10, with the other 8 remaining films staying at the same place as last week. And most impressive is that none of the remaining films dropped by more than 30% from last week's gross. Even Spiderman 3, which has been suffering pretty big falls around the world, dropped only 24% after losing only 21 screens.

- Eiga Consultant analyzes the 10th place opening for Will Farrell's Stranger Than Fiction. He basically compares Farrell to Adam Sandler, another American comedy actor who has a huge following at home, but whose films fail to perform in Japan. At 26 million yen, the Stranger Than Fiction opening is only 17% of Bewitched's opening in Japan, but it's also 113% of Click. I doubt that Japanese people buy Farrell's type of humor anyway.

- There were a few Asian films on the North American box office as well, excluding Shrek 3, which was co-directed by an Asian. Sad news is they're at the 101st and 102nd place. The two films are Triad Election (which moved on to a San Francisco engagement this week with almost no fanfare) and Ken Watanabe's Memories of Tomorrow, which also opened with pretty much no advance word at all.

- Following in the footsteps of Variety Asia, Hollywood Reporter has recently decided to expand their coverage into Asia with new offices in Hong Kong and Beijing. Good for them.

- I guess it's pretty important for some people. Variety has the first major review of the latest Pirates of the Caribbean movie, and it seems to be more of the same. I'll probably go watch it, as soon as I get myself to go catch Spiderman 3.

- New York Post critic Lou Lumenick warns that Evan Almighty, now officially the most expensive comedy ever made, might not be any good. Come to think of it, I've never heard of a good comedy that runs under 90 minutes.

- Yesterday, I reported that the winner of the Shanghai International Film Festival will be allowed to see a release in China without worrying about import quotas. And now, here are the official selections.

- EastSouthWestNorth has a link to an English TVB-produced special about The Society For Truth and Light, a conservative group in Hong Kong that is very much on the opposing side against the Chinese University of Hong Kong student newspaper controversy, and is a strong opponent against laws that outlaw discrimination of "sexual minorities" (that would mean the gays). The focus of the program is that they have recently been teaching a human rights course to schoolteachers. My favorite quote about the course: "If you think your time is valuable, don't try to join this course." Sounds like a quote ready for print.

- Japan must really love Richard Gere. After being featured in several ads in Japan and dancing with former Prime Minister Koizumi, now he's taking part in one of Japan's most beloved pet stories. That's right, Richard Gere has signed on to star and produce "Hachiko: A Dog's Story," playing the role of the professor owner who meets a tragic end. At least Japanese distributor Shochiku has its hands in it, or Japanese audiences might be crying foul.

- Korea, you guys are getting an Universal Studios theme park. I guess there's no need to go to Osaka anymore, huh?

- I'm sure many people know that there's such thing as a news agenda, which means news producers has an agenda in putting what they think is the most important story early in the newscast. This, I believe, is the reason why perhaps such agendas may be a little misguided sometimes. If you look at the top left corner, this news came on 12 minutes into the newscast. Are there actually less important news out there then a Civet running around in a TV station, or is it just to show the Japanese police's lack of priority in solving crimes?

The Golden Rock song of the day - 5/21/07

Today's song is again featured very often in films, and remains one of my favorite love songs. My favorite use was in the ending montage for Boogie Nights, although the use of it in the ending of Love Actually is quite popular as well. From the 1966 album Pet Sounds, it's The Beach Boy's "God Only Knows."

Beach Boys - God Only Knows -
Uploaded by bombadil34

Yawn

The Cannes Film Festival has been going on for about 6 days now, which means it's time for a bit of roundup. Variety says that the festival has been pretty mellow so far, with the Coen Brothers' "No Country of Old Men" and the grim drama "4 Months, 3 Weeks, and 2 Days" as the frontrunners for the Palme D'or.

On the other hand, the Cannes market has been very healthy, with the North American rights for Wilson Yip's "Flash Point" already sold.

I posted a link to Twitch's review of the film "Dai Nipponjin," which had its premiere on Saturday. Already there are distributors from ten different countries hoping to snatch up the film, which means we can see oversea releases pretty soon.

Kim Ki-Duk's Breath, starring Chang Chen, is getting pretty good word-of-mouth as an in competition film. It's also attracting quite a few buyers at the market as well.

- As expected, Spiderman 3 crossed the HK$50 million mark on Sunday in Hong Kong. The sequel made another HK$1.8 million on 65 screens, and has now made HK$50.73 million after 20 days of release. Of course, next weekend sees the opening of the third Pirates of the Caribbean movie, so it should die down right about then all around the world.

As for other films, the Korean blockbuster 200-Pound Beauty perked up by quite a bit, making HK$500,000 on 21 screens for a 4-day total of HK1.48 million. Herman Yau's Gong Tau and Whispers and Moans (both category III, meaning no one under 18 can be admitted) made HK$210,000 and HK$70,000 on 25 and 5 screens, respectively. Gong Tau has now made HK$1.3 million after 6 days plus previews, while Whispers and Moans (which Twitch just recently reviewed as well) has made HK$360,000 after 4 days. Leon Lai-starrer The Matrimony made only HK$50,000 on 15 screens, while Audrey Tautou-starrer Priceless actually saw an increase in business with HK$150,000 on 7 screens.

(For reference: US$1=HK$7.8)

- In Japan, the latest box office ranking shows that most of the film on the top 10 last week stayed where they are, except in two spots - the sequel Pacchigi - Love and Peace lands on 7th place, while the Will Farrell-starrer Stranger Than Fiction lands on 10th. More numbers tomorrow.

- In South Korea, Spiderman again led the pack, but it's counter-programming film Unstoppable Marriage that's taking the spotlight. Also, Japanese films are suddenly performing really well there, with Memories of Tomorrow's strong opening last week and the surprising 4th place opening for the pop-song-inspired "Tears For You."

- This week's Japan drama ratings are doing a bit better(See here for all the drama introductions), with Proposal Daisakusen, Sexy Voice and Robo, Bambino, and quite a few more dramas seeing higher ratings. Proposal Daisakusen is pulling its lead with a 16.6 rating average to be the current leader with no other drama close by. On the other hand, Yuji Oda's Joudan Janai freefalls from its stable 14 rating range the last two weeks to a disastrous 11.7 this week, marking the drama's lowest rating yet. This season just isn't much for dramas.

- When India is a huge movie industry with production number matching Hollywood, it's natural that they would start making movies of similar scale, right? And it's also no surprise that Indian producers would eventually put their money into Hollywood.

- In fact, now Bollywood filmmakers are beginning to stray from the traditional formula, meaning less songs or different formulas. Apparently it's a pretty huge deal if a 107-minute movie only has one song.

- On the other hand, Chinese producers are still hanging on to the martial arts/period epic formula to make money (with the somewhat disappointing showing of The Banquet and Curse of the Golden Flower, I was hoping it's starting to end), and here is another example. Honestly, I haven't been so indifferent to a huge Chinese period epic since...A Battle of Wits. Maybe it's an Andy Lau thing.

- Some Westerner wants to do a biopic of Mao Tse-Tung, and he's looking for the Chinese government approval to get production support. "This is a very positive portrayal of Mao," the producer said. That's Chairman Mao to you, foreign devil.

- Jason Gray has seen Takeshi Kitano's "Kantoku Banzai," but has sworn to secrecy. So good luck trying to decipher his response, completely done in Japanese smiley faces.

- How can you get your movie into China without having to worry about blackout dates and import quota? Engage in an artistic battle royale with your fellow filmmakers at the Shanghai International Film Festival, and you shall get your wish.

- What i love about the English stations of the two free broadcasters in Hong Kong - TVB and ATV - is that they would show Japanese dramas every week. It's a good alternative to the same old melodramatic series on the Chinese channels, and they even sometimes pick pretty good American dramas too. This is all thanks to a flexible schedule, which means not having to worry about TV seasons or sweeps.

- The Stephen Chow-approved Japanese spinoff of Shaolin Soccer "Shaolin Girl," has started shooting for a while, and apparently there's a blog on its website, although I have no idea who's writing it. It has already written about shooting the cameos by a couple of the Shaolin Soccer guys.